Philly English

@kernedout.bsky.social

Manga Letterer 🇬🇧🇯🇵 Kodansha USA, VIZ, Yen Press, Square Enix, Seven Seas, KUP, Manga Mavericks

Some Record of Ragnarok (19) lettering. Fun fact: For this series, after all the English SFX are drawn and placed, it takes an average of 120 hours to erase the Japanese underneath.

ladies, please get off twitter it's not healthy for anyone, including recently-hatched queers, or translators who need a magnifying glass and high-res .tifs to process your doomscrolling feed

6 manga panels, showing a woman looking at responses to her post about coming out as a lesbian on "Tweeter". Some are positive, but she's focusing on the haters. Wow, couldn't be me! ;)

Billy Bat sound effects thread! Brendon (@lettererbrendo.bsky.social) and I adore the way Urasawa draws sound effects, and are so excited to adapt the Billy Bat sound effects into English. For years, we'd talked about the quirks they have and how to replicate them. Here's a thread of comparisons!

An image from the manga Billy Bat, showing a sound effect lettered in English. An image from the manga Billy Bat in Japanese. An image from the manga Billy Bat, showing a sound effect lettered in English. An image from the manga Billy Bat in Japanese.

Billy Bat volume 1 is out in English now! It's my favorite comic ever, and I'm so grateful that I get to letter this edition alongside @lettererbrendo.bsky.social. We literally fantasized for years about stylistic choices we would make if we ever got to letter it, and I want to share about those!

English cover of Billy Bat volume 1

Record Journey volume 1 is out in English now. The Japanese volumes have super cool book design, so I wanted to see how they compare. The biggest visual difference is the gloss finish. Colors appear much brighter, and there's less texture in the image compared to the Japanese matte dust jacket.

Japanese and English editions of the manga Record Journey volume 1. It shows two women standing in a record store. The Japanese edition is on the left, English on the right. The Japanese edition is a matte finish with duller colors. The English edition has a glossy finish and bright colors. The back covers of the English and Japanese volumes of Record Journey. Closeup comparing the corners of both front covers. Texture and color differ. Closeup comparing the edges of both front covers. Texture and color differ.

Japanese posters for The Terminator and Blade Runner. Both logos were designed by Kiroku Higaki in the 80s. I love that they both widen at the base, giving them a subtle sense of moving forward. I could stare at this stuff all day. Higaki is an absolute master.

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Ah, yep. Looking at the other chapter titles, that seems like the case. I see resizing artifacts on the edges of the letters, so it might be two images layered within indesign causing an interpolation issue.

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Some lettering for Dai Dark 9. Lettering translated work is always a strange balance. You’re changing the page while trying to preserve the feeling of the original. As letterers, we just do our best to preserve what made it special in the first place.