People are reading the tea leaves on this Michigan Senate primary too closely. It’s simple: Haley Stevens is impossible to listen to. That brand of awk is too off-putting. Even if her politics were good (they aren’t) it would be a brutal uphill climb.
Kyle Pinion
@kylepinion.bsky.social
Author (TAKING ROOT)/Film Critic (AFCC/SEFCA)/Youtuber (TBRKyle) https://linktr.ee/KylePinion
Why yes, I will slowly chip away at this today in between other things....
Every once in a while, I have a good laugh about how Emilia Perez was almost a Best Picture winner.
Batman in The Dark Knight (2008): I have to use mass surveillance tools in order to save Gotham. I struggle with this, but will have to learn to live with my decision. Spider-Man in Brand New Day (2026): I'm scanning the faces of everyone in NYC and IDGAF 🤪😜
Nothing gives me that feel more than the three Danzig-era Misfits albums
What's the best three album run from a band? (the correct answer is Moving Pictures, Signals, and Grace Under Pressure by Rush, but I'm excited to learn second place)
The reason I don’t love most superhero media outside of comics is because I’m not looking at cool drawings by weirdos
People are reading the tea leaves on this Michigan Senate primary too closely. It’s simple: Haley Stevens is impossible to listen to. That brand of awk is too off-putting. Even if her politics were good (they aren’t) it would be a brutal uphill climb.
I’m only hard on the “Brand New Day is my favorite movie of all time” crowd because I can see 2005 me that saw Batman Begins 6-7x in the theater and went on and on about it reflecting back at me.
The Odyssey The French Connection Rose of Nevada Four Lions I Sell The Dead (not good-good per se, but very enjoyable 1 am watching)
Post your favorite first-watches of July 🍿
Excited that Hannah and I are headed to @tiffnet.bsky.social once again as part of the press brigade!
That’s enough Homering. It’s time to Joyce and Calvino now.
Again, I don't like O Brother really much at all (except the music, tremendous music) and Clooney's line readings, but I liked this excerpt.
i wrote about my favorite odyssey adaptation, o brother where art thou (2000)
Ah yes, I famously don't appreciate Spider-Man and/or comics. You really got my number, dude.
Don't be so vain. I sought out a lot of people to insult them this morning. What do I want? Nothing at all. You watched a movie about a property you don't appreciate and a genre you clearly don't enjoy and you shared your opinion. Likewise, I read your review and then did the same.
Alright, you lovely people you, today's 🏴☠️ drop is this folder of the complete hand-colorized Epic Comics translation of AKIRA, in individual scanned issues Don't say I never did nothin' nice for ya:
Akira - Epic Edition (Issues) - Google Drive
drive.google.com
I'm usually against colorizing B&W comics, and I'm definitely 100% against doing it digitally... But I gotta say... The hand-colorized Epic Comics reprints of AKIRA were fucking _gorgeous_ Like, I am in awe of even just this one randomly chosen series of panels from issue two:
If you really want to go for an adventure, wear a red hat to Eagle Eye Books sometime.
Got very tempted to record a video review for this new Spider-Man bore that's out today. But Hannah and I both agreed that the abuse that would be heaped upon me was simply not worth it. I still bear the scars of the Shang-Chi wars after all.
Emily Wilson's piece on Christopher Nolan's THE ODYSSEY for the LRB went viral and was received very positively by many — but not by virtually every film critic I know. For @animusmagazine.bsky.social I wrote about why: animus-magazine.ghost.io/a-tale-as-ol...
A Tale as Old as Time
Emily Wilson’s piece on Christopher Nolan’s The Odyssey evinces an archaic perspective on cinema’s value as art
animus-magazine.ghost.io
After my parents were visiting set for the first time, I asked my dad what he thought. He said “I didnt realize, it’s like you’re building a house, and once an hour good looking people run in and put on a play for five minutes. Then they leave and you go back to construction.”
People think "Hollywood" is rich and famous. The reality? Film and TV is a national industry. It's a blue collar industry. And it is an industry free fall. My latest for @newrepublic.com on how the Paramount merger would crush blue collar workers who can not afford it newrepublic.com/article/2136...
I attended an excellent virtual q+a with Daniel Mendelsohn tonight where he discussed his thoughts on Nolan’s Odyssey. One really neat thing I learned: he surmises that the ending of the movie is actually lifted from Tennyson’s poem “Ulysses” and given the wealth of material he drew from, I buy it.
I really hope this is the year Leguizamo gets some awards love. Nolan has this wonderful knack for bringing in underrated vets in his movies, stretching back to Rutger Hauer in that first Batman, Eric Roberts, Matthew Modine, James Remar, Tom Berenger...feels like the culmination of something cool.
"Modern vernacular fantasy ideas get read backwards into a text that is perceived as having originated them but which doesn’t really contain them" is such a good way to put that phenomenon, holy shit. I've always wanted to find the right way to articulate that point.
I have bad OCD about putting stuff in chronological order. It’s this weird fixation my mind always defaults to. But even for me, this seems like a lot.