Matthew Rana

@mdrana.bsky.social

Poet and critic living in Stockholm. https://matthewrana.com

”Karlberg’s show stages painting as a ’success medium’, as Isabelle Graw puts it. That is, as a prop for self-promotion and branding, a device promising further movement, circulation, and exchange” from my review of Marie Karlberg’s exhibition at Issues Gallery in Stockholm.

Let’s Stay in Touch - Kunstkritikk

What does it mean to be important in the art world? Marie Karlberg’s Stockholm show answers the question, one oversized business card at a time.

kunstkritikk.com

The new issue of the Swedish psychoanalytic journal Divan is now available, featuring my essay ’Knutar av Akut Materia’, a ”sinthomatic” reading of Bhanu Kapil’s 2011 book Schizophrene.

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“For the communities of the [Indus River] delta… drawing a map for someone is a gesture of hospitality and generosity. Within the fleeting line of a river, someone opens up their world, their knowledge, their memories.” Shahana Rajani in conversation with Nick Axel @eflux.bsky.social

New Silk Roads - Shahana Rajani - The Fleeting Line of a River

Colonial maps and hydraulic technologies attempted to reorganize these mobile, water landscapes into a propertied and regulated geography. But in this soaking ecology, quite literally, the logic of th...

e-flux.com

“For the most part, Pain’s approach is intensely observational, in keeping with the idea of accueil, or welcome, a radical kind of listening practiced at La Borde.” Nicholas Gamso on the films of François Pain, now on view at JOAN gallery in LA. @eflux.bsky.social

Nicholas Gamso on François Pain - Criticism - e-flux

In 1966, a young medical student named François Pain won an internship at the experimental Clinique de La Borde, outside the town of Cour-Cheverny

e-flux.com

“For Malkani, the sacred is political and resonates with the ways in which protest is inscribed within acts of veneration and prayer.” My review of Zahra Malkani’s stunning exhibition ‘Sada Sada’ is now online at Frieze.

Zahra Malkani’s Hum of Ecological Reverence

At Konsthall C, Stockholm, the artist’s sound installation examines the environmental damage of regional river systems, calling for collective mourning and remembrance

frieze.com

“Here, the notes are much sweeter – what, to my untrained nose, seems like the overwhelmingly funereal scent of lilies or perhaps something like bubblegum.” My write-up of Bjarne Melgaard’s collaboration with Norwegian perfumier Malbrum at VI,VII Oslo is now online @artreview.bsky.social

The Artworld’s Latest Fragrance, With Notes of Tragedy

In ‘Abuse Is the Beauty of the Working Class’, Bjarne Melgaard’s olfactory experiments evidence an irrepressible artist at work

artreview.com