Art by Emily K

@museum.of.emilyk.art

I have my own museum, I'm a Very Serious Artist. Portfolio: https://emilyk.art Commissions open. If I see that you use Ai slop “art,” you get blocked. Support my work: 🎨 https://patreon.com/emilyk 👉🏼One time donations: https://ko-fi.com/artbyemilyk

There is conflicting information regarding this slide, and I just want to say this: If the ATLA arts team uses ChatGPT for RESEARCH, of all things, that is such a sad degradation of their process. They hired an actual martial artist to design their bending styles--

Rick@combattlerrickv.exportaud.io · 2w ago

I dont know if this is brazen or it has just become so normalized that people who use the stuff don't see it anymore but the text that opens the final paragraph on the right on the big slides for your sdcc presentation is WILD

According to chatgpt written in the Avatar movie presentation.

Are any of you out there attending? Don't simply do it for the signed comic - DO IT FOR THE REUNION OF A GIRL WITH HER NEWFOUND FAMILIAR

Amanda Deibert 5552 SDCC@amandadeibert.bsky.social · 2w ago

#SDCC comic con: our daughter left her 3D printed black dragon in the restroom near E/Starbucks. She printed it herself and is devastated. We checked the restroom and lost and found which means someone picked it up. If you bring it to 5552 I will give you a signed comic as reward

My turn to enter the world of Jimothy fan art. These two illustrations are based on two versions of the beloved logo of Japanese company Yamato Transport. I wanted to pay homage to Jimothy's mom, who didn't abandon him just because he needed a little more patience to raise.

A parody of the old Kuroneko logo for Yamato Transport. It is horizontal black oval with a thick grey border. A mother raccoon carrying a baby raccoon in its mouth is inside the oval, and its tail and ear clip the oval's border. It is a simple flat shape, all grey, except for the tail stripes and mask on each raccoon. The shapes of the heads are outlined so that there is a "cut out" look to it. Below it in Japanese is "Jimothy Transport."A parody of the newer Kuroneko logo for Yamato Transport. It is horizontal, slightly squarish black oval. A mother raccoon carrying a baby raccoon in its mouth is inside the oval. It is a simple flat shape, all grey, except for the tail stripes and mask on each raccoon. Below it is the text "Jimothy Transport" in all caps.

My turn to enter the world of Jimothy fan art. These two illustrations are based on two versions of the beloved logo of Japanese company Yamato Transport. I wanted to pay homage to Jimothy's mom, who didn't abandon him just because he needed a little more patience to raise.

A parody of the old Kuroneko logo for Yamato Transport. It is horizontal black oval with a thick grey border. A mother raccoon carrying a baby raccoon in its mouth is inside the oval, and its tail and ear clip the oval's border. It is a simple flat shape, all grey, except for the tail stripes and mask on each raccoon. The shapes of the heads are outlined so that there is a "cut out" look to it. Below it in Japanese is "Jimothy Transport."A parody of the newer Kuroneko logo for Yamato Transport. It is horizontal, slightly squarish black oval. A mother raccoon carrying a baby raccoon in its mouth is inside the oval. It is a simple flat shape, all grey, except for the tail stripes and mask on each raccoon. Below it is the text "Jimothy Transport" in all caps.

My turn to do the Jimothy thing. Rather than just draw Jimothy himself, I paid homage to his mother, who, instead of abandoning him, nurtured him with his patient siblings. And also this is an homage to the Yamato Transport "Kuroneko" logo. Now on the Patreon! www.patreon.com/emilyk/posts...

New Illustration: Jimothy Transport | Emily K

A new cryptid has been taking Seattle by storm. Well not really a cryptid - a raccoon born with a shortened spine. Named "Jimothy" by locals

patreon.com

Oliphant was my main influence as well. It helped that his style looked like a much looser Watterson (or rather, Watterson is a tighter Oliphant? everything is interconnected) - I strove to be as sharp and devastating as Oliphant in my own high school paper. I still strive for that.

Derf Backderf@derfbackderf.bsky.social · 3w ago

His work meant a lot to me when I was a young cartoonist scratching out bad political cartoons for the Ohio State Lantern.

Reagan passing out the poison Koolaid of Reaganomics ala murderous cult leader Jim Jones.

Fellow artists/cartoonists! Looks like Scribus is not being updated to be compatible with Apple Silicon and will be unusable in the next MacOS update. What are better options? Was thinking of Affinity, but Canva bought them. Are they now enshittified?

Fellow artists/cartoonists! Looks like Scribus is not being updated to be compatible with Apple Silicon and will be unusable in the next MacOS update. What are better options? Was thinking of Affinity, but Canva bought them. Are they now enshittified?

I think multiple things could happen, including what’s described here. I think we need to remember that a comic and an academic biography don’t have 100% crossover. And anyone looking for FACTS will read CLIVES’ work. Walden openly says she invented/changed things for narrative’s sake.

Zack Davisson@zackdavisson.com · 4w ago

"n the future when people search for 'Charity and Sylvia' on the internet the algorithm will point them to Walden, who has a far bigger platform as a cartoonist than I will ever have as an academic" Yep. That is true. And Anthony Bourdain sure had a HELL of a bigger platform than me... So it goes

I have sympathy with Cleves; while not on the same level Anthony Bourdain did the same thing to me. He took an article I wrote called "When Food Attacks - Food-based Yokai in Japan" and turned it into the comic HUNGRY GHOSTS. I got a little thank you but that was it. It hurt. Not gonna lie. (1)

Zack Davisson@zackdavisson.com · last mo.

There are valid issues with the Charity and Silvia release by Tillie Walden, but I don't see how people can think she "stole the cover design." These book designs look nothing alike, other than they are both based on the only known image of the two women, this silhouette.

There are valid issues with the Charity and Silvia release by Tillie Walden, but I don't see how people can think she "stole the cover design." These book designs look nothing alike, other than they are both based on the only known image of the two women, this silhouette.

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I read both books, and really liked both of them. But the books are extremely different experiences. One of the main concerns of Cleves' book - proving that the relationship was a sexual one - never comes up in Walden's book. Walden gives the characters a happy ending that only fiction can provide.

And it really bothers me that so many people accusing Walden of "ripping off," of plagiarism, of "theft" - have clearly never read Walden's graphic novel. Most of them probably haven't read Cleves' book, for that matter. How can you possibly claim to know that without reading both books?