Shani Cadwallender

@overleaf.bsky.social

Poet- PhD student at Birkbeck, working on trees and marginal identities in C19th women’s poetry. Working-class, mixed, bi, AuDHD, RRMSer. She/her. Loves beer, records, trees and dogs.

I'll summarize this: Mamdani asked NYers to keep air conditioning at 78 degrees. A wave criticism hit online. A MSNBC broadcast pointed out the US Department of Energy recommends that 78 degree figure. Immediately after, the US Department of Energy deleted 6,000 web pages related to energy saving.

Can anyone help with the final word of this MS? It‘s an annotation on Amy Levy’s manuscript for ‘A London Plane- Tree’, on the dedication poem ‘To Clementina Black’. So far I’ve got ‘all in Ital. low case to suit ____?’

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There's a lot to be said about identity, solidarity. But a simple place to start: the people who are willing to fight for their neighbors when their neighbors have different problems have a very, very good chance of having neighbors to fight with when you all share problems

Statistically in Britain if you are a cis man and you rape someone you are overwhelmingly likely to get away with it, there is a vanishingly small likelihood that you will be convicted. That is a feminist issue. Trans women wanting to use women’s toilets or play women’s football: not so much.

this is a staggering amount of money to build camps—suggesting that building & running a gulag will be the primary function of the otherwise gutted Trump-state in last fiscal yr: "D.H.S. allocated about $3.4 billion for the entire custody operation overseen by ICE" www.nytimes.com/2025/04/07/u...

Trump Administration Aims to Spend $45 Billion to Expand Immigrant Detention

A request for proposals for new detention facilities and other services would allow the government to expedite the contracting process and rapidly expand detention.

nytimes.com

Ted Lasso was great when the show’s thesis was that relentless positivity is a thin veneer over a desperate, near-nihilistic sadness, but that it may nonetheless still be the “best” available option in an otherwise heartless world.

Look at this big handsome bastard. I nickname him ‘Creeper’. NB: this windowsill is much shadier than the picture makes it look. Also, am almost as excited about this plant as I would be about a new kitten.

A pot of devil’s ivy, growing quite precipitously.

Whenever I speak up about being working-class in the arts, or share my experiences, I always get some classplaining back. People who aren't working-class keen to tell me how I should feel or tell me they're middle-class but have 'struggled with money' in the past www.theguardian.com/culture/2025...

Who is ‘working class’ and why does it matter in the arts?

Prominent figures in the arts say class is a key factor that determines who can make it in the creative industries

theguardian.com

This is happening, right now. The great "arribada" (arrival) of mother Olive Ridley sea turtles on the Odisha coast, where they dig sand-nests & lay their eggs, driven by ancient instinct. Heart-lifting, magnificent, moving: part of a geography of hope. 🎞️ by Bivash Pandav via my friend Yuvan Aves.

'On the nights she struggled to breathe, she was forced to stay awake and hold the mask to her face in the dark. The NHS’s solution?...one assessor suggested her 14-yr-old daughter fill in as a child carer...being on call for the ventilator throughout the night.' www.theguardian.com/commentisfre...

A reader with a terminal illness emailed in despair. What she told me should shock us all | Frances Ryan

Rosy is unable to move, breathe or eat unassisted. Yet NHS assessors think it’s fine to leave her alone for hours at a time, says Guardian columnist Frances Ryan

theguardian.com

I was recently diagnosed with MS; a relapse has kept me from working. It’s made me ponder my profession’s overemphasis on ‘productivity’, & the lack of (self) compassion that attends it. Managed to read this morning for the first time in weeks- fitting that the book is about ‘generous relenting’.

A paragraph from the preface of Anne-Lise Francois’ book ‘Open Secrets’ about minimalism and ‘minor ownership’ A wooden desk with books, laptop, a chair with a sweater on it, by a sunlit window.

collections often are criticised for “unevenness” but isn’t that also part of their charm? that the workings of a poet “becoming” are also on the page, next to poems that feel crystallised? don’t we love process and learning and error more than the language of product & perfection? or shouldn’t we?