Joel

@sentantiq.bsky.social

Antiquity. Cats and kids. Books. Humanities. Education. NY/MA/TX contact JoelChristensen @ gc.cuny.edu Check out Storylife: On Epic, Narrative, and Living Things: https://yalebooks.yale.edu/book/9780300269239/storylife/ avatar by Beverly Beverung

Oct 17, Saturday, 9 am-12:30 noon PST. CCA South Fall Conference online, hosted by UCSB: Lisa Briggs, Joel Christensen, Steven Tuck, Classics alumni. It will be… epic! 😊Odyssey and Pompeii: Relics, Survivors, Reflections. Register at CCASouth.org or email CaliforniaClassicalAssociation@gmail.com

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the fundamental question I have had for these applications is how can LLM or statistical based methods support the 碤 ẟ 𒃆 ⌥ ...is what I took that to mean with only your quote as context Not what @sentantiq.bsky.social meant, although on some deeper level, kind of exactly what he meant?? 😂

90% of how Rubio described “the West” while in Athens (e.g., "fierce individuality,” “relentless ambition”) is just a rehashing of ideas plucked from Ayn Rand. Encouraging people to “ethical egoism” is how we got this level of inequality—which now sits at a higher level than Ancient Athens ever had.

I’ve said it a thousand times but Stoicism and Ayn Rand both appeal to certain politicians and technocrats because it allows for them to feel virtuous in their narcissism. Casting themselves as ambitious heroes in a “hero’s journey” is exactly why @sentantiq.bsky.social and I wrote this takedown.

The Man Behind the Myth: Should We Question the Hero’s Journey? | Los Angeles Review of Books

LARB presents the first entry in “Pasts Imperfect,” a new column that explores the impact of ancient pasts on the present.

lareviewofbooks.org

It is notable that Anne Carson is the fourth Nobel laureate whose work has included serious engagement with Thucydides, and the second in ten years: Albert Camus, Czesław Miłosz, Peter Handke. (More debatable in the cases of Winston Churchill and Bob Dylan).

In 2012, I stood on a stage with Anne Carson as a volunteer grad student to help her perform BRACKO, an adaptation of Sappho, where my job was to say the word "bracket" every time there was a bracket, which was more than two hundred times

"and what I want to happen most of all in my crazy heart. Whom should I persuade (now again) to lead you back into her love? Who, O    Sappho, is wronging you?" Anne Carson's translation of Sappho fr. 1

The latest Pasts Imperfect is out! 🏛 Kimberly Cassibry & Elizabeth Macaulay discuss ethos & triumphal arches. Then, @mhanses.bsky.social's book on W.E.B. Du Bois & antiquity; anesthesia in Ming China; an open access book on polychromy; new ancient world journals @yaleclassicslib.bsky.social & more.

Pasts Imperfect (10.8.26).

This week, Kimberly Cassibry and Elizabeth Macaulay discuss the architectural history and political messaging of triumphal arches. Then, a new book looks at W.E.B. Du Bois and Ancient Rome; researcher...

pasts-imperfect.ghost.io

“When Pythagoras was asked about the purpose for which humans were created, he said, ‘To look upon the heavens’” τί δὴ τοῦτό ἐστι Πυθαγόρας ἐρωτώμενος, ‘τὸ θεάσασθαι’ εἶπε ‘τὸν οὐρανόν’, #Iamblichus

pattern is poisonous -- the errors are more reasonable than the original, making it impossible to spot-check the transcription. And a transcription of a unique archival document that has plausibly seductive errors is worse than no transcription at all.

This was always my criticism of people using multi-modal LLMs to transcribe (non-ancient) handwritten material: in the case of ambiguity, the statistical model would always favor a reading that "makes sense" -- the lectio facilior in textual criticism terms. For documentary editing, this error

PSA: Greek Anthology “When I’m dead, the earth can be f***ed by fire. It means nothing to me since I’ll be totally fine.” Ἐμοῦ θανόντος γαῖα μιχθήτω πυρί· οὐδὲν μέλει μοι· τἀμὰ γὰρ καλῶς ἔχει.