Tonya Howe

@tmlh.bsky.social

Likes: data, pottery, books, the 18th century, cats, horror film. Dislikes: mean people, depression, white bread.

PSA: @ryanair.bsky.social hides a lot of, frankly, bullshit in their ToS. Double, triple, quadruple check—then check again—baggage terms, prices, “refund policy,” check-in requirements, window of check-in “opportunity,” required (glitchy) app use. Misleading, predatory practices. Boo!

Tom Savini is a fucking legend. And he lost everything. His home. His beloved pets. His life's work - work that served as the foundation of the horror we hold most dear. There isn't the character count to list his legacy here. If you can, please consider donating. www.gofundme.com/f/support-to...

Donate to Support Tom Savini After House Fire, organized by Jason Baker

Tom Savini, special makeup effects legend, is facing a heartbreaking loss after Tom’s … Jason Baker needs your support for Support Tom Savini After House Fire

gofundme.com

Today we filed our appeal to the NEH for wrongful grant termination. They gave us a month to get everything together—how long for the decision, do you think? Big hat tip 🎩 to my colleagues at UVA!

Acknowledgement of receipt of appeal (screenshot)

Sooo, our NEH-ODH grant was canceled… from a non-official email address. We are appealing (don’t make it easy!) and my colleagues at UVA are fighting for the project thru institutional channels. But I’ll be talking about our work at the #DHSI25 mini-colloquium in May!

I’m taking a glaze chem class! It’s kicking my ass. Here’s my second quadraxial—hopefully a nice semi-matte glaze, dark, with some speckles. Probably not the most interesting colorants, but I’m being positive. :)

BildBild

Some DC theater company (…) needs to do MACBETH with the weird sisters as finance bros or maga nuts: “cruel are the times when we are traitors / And do not know ourselves; when we hold rumor / From what we fear, yet know not what we fear, / But float upon a wild and violent sea” 4.2.21-24)

Still processing this news. The very first work of lit crit I ever purchased was Madwoman. I was 19 & inspired by a course on feminist lit studies. I was not an English major. I did not know what a PhD was. That book was part of a swerve I was making—tho I didn’t know it yet. It was an invitation.

Nathan K. Hensley@nathankhensley.bsky.social · 2y ago

Finally assimilating this obit and this loss— a poet & critic meet in an Indiana elevator, and together reshape the fundamental structure of literary criticism and, in the process, the general ideological field of the world. What a beautiful legacy. RIP.