Tom Ewing

@tomewing.bsky.social

Music, comics, assorted grousing, he/him. CURRENT THINGS are Discourse 2000, a 2000AD blog and Popular, about the UK’s No 1 hits. I also waste my time (and maybe yours!) with @peoples-pop-polls.bsky.social https://freakytrigger.co.uk

#EventsDearBoy 3. MUTANT MASSACRE (1986, Marvel) Apparently one of Jonathan Hickman's ideas when he revamped the X-Men was 'give them some wins'. Wherever could the idea that the X-Men are constantly losing have come from, I wonder? Perhaps this first mutant event will shed some light!

UNCANNY X-MEN 211: WOLVERINE, his mask shredded, pops his claws. Around him caper the many stars of the merry Marvel Universe, this being one of their 25th Anniversary covers
Tom Ewing@tomewing.bsky.social · yesterday

#EventsDearBoy 4. AGE OF APOCALYPSE (1995, Marvel) Stuck in the diminishing returns of imitating Chris Claremont's labyrinthine subplotting without his flair, the 90s X-Office does the one thing he never tried: a story with a beginning, a middle and an end.

I would absolutely have assumed that the AI-ridden horror film Ice Cream Man was an adaptation of the (not AI ridden, very well reviewed) sorta-horror comic Ice Cream Man had I not been explicitly told it isn't, that sucks for the latter!

The problem with ranking Age of Apocalypse this high is aside from anything else, I simply cannot abide that 90s style X-men artwork, it repulses me on a molecular level

Tom Ewing@tomewing.bsky.social · yesterday

#EventsDearBoy 4. AGE OF APOCALYPSE (1995, Marvel) Stuck in the diminishing returns of imitating Chris Claremont's labyrinthine subplotting without his flair, the 90s X-Office does the one thing he never tried: a story with a beginning, a middle and an end.

“Can Sabretooth be a good guy?”, “can Rogue and Magneto (‘Joseph’) work?”, “what would happen if Bobby used more of his power?” are all big live issues in the 90s, and it’s been doing a slow burn “apocalypse is up to something” for years

#EventsDearBoy 4. AGE OF APOCALYPSE (1995, Marvel) Stuck in the diminishing returns of imitating Chris Claremont's labyrinthine subplotting without his flair, the 90s X-Office does the one thing he never tried: a story with a beginning, a middle and an end.

X-MEN ALPHA: The alternative reality X-Men of the Age Of Apocalypse charging forward to do some fighting, one-handed Wolverine at the fore. The cover is CHROMIUM (shiny)
Tom Ewing@tomewing.bsky.social · 2d ago

#EventsDearBoy 5. DC ONE MILLION (1998, DC) This is the Grant Morrison event where they play nicely with others, crafting a fantastical future for the DC Universe and opening its gates for other creators to have fun with. And they do - no other event has such an excellent tie-in hit-rate

The Rod Liddle biography suggests a certain post-1968 'type' who was just idiotically drawn to norm-breaching, moving via adolescent rebellion, punk, revolutionary socialism, and eventually ending up at racism, because by the 21st century that was the most efficient transgression still on offer

Great thread on my favourite event! Been waiting for this one. The page turn reveal of Helena's plan is a punch the air superhero moment for the ages. And my boy Kyle got respect on his name. The superhero comic that set off the most fireworks in my brain.

Tom Ewing@tomewing.bsky.social · 2d ago

#EventsDearBoy 5. DC ONE MILLION (1998, DC) This is the Grant Morrison event where they play nicely with others, crafting a fantastical future for the DC Universe and opening its gates for other creators to have fun with. And they do - no other event has such an excellent tie-in hit-rate

Weirdly, today is five years since @jonlock.com and myself started looking at DC One Million on the JLACast. I think you should check the show out, if you haven’t already.if enough of you listen, maybe we can bring it back.

Tom Ewing@tomewing.bsky.social · 2d ago

#EventsDearBoy 5. DC ONE MILLION (1998, DC) This is the Grant Morrison event where they play nicely with others, crafting a fantastical future for the DC Universe and opening its gates for other creators to have fun with. And they do - no other event has such an excellent tie-in hit-rate

I don’t think Tom emphasises enough how against the grain this and Morrison’s JLA stuff went against the grain in the edgelord 90s. And not in the having-it-both-ways sense of Kingdom Come and Infinite Crisis (or arguably their later Batman/Final Crisis work). It was a huge breath of fresh air

Tom Ewing@tomewing.bsky.social · 2d ago

#EventsDearBoy 5. DC ONE MILLION (1998, DC) This is the Grant Morrison event where they play nicely with others, crafting a fantastical future for the DC Universe and opening its gates for other creators to have fun with. And they do - no other event has such an excellent tie-in hit-rate

Probably my favorite comic event ever. It’s insane and hopeful. Morrison and everyone working for DC at the time dreaming big dreams. And you could hand it to a fifth grader and they’d get all of it. (Provided they could lift the omnibus edition of course.)

Tom Ewing@tomewing.bsky.social · 2d ago

#EventsDearBoy 5. DC ONE MILLION (1998, DC) This is the Grant Morrison event where they play nicely with others, crafting a fantastical future for the DC Universe and opening its gates for other creators to have fun with. And they do - no other event has such an excellent tie-in hit-rate