Following a very brief interaction with @andrewkelly.bsky.social at #cineredis26 and a cleanup of my library, I’m diving back into my Projections collection. Boorman fantastic stuff. #FilmSky #BookSky
Peter Clinch
@zipnolan.bsky.social
"To be truly radical is to make hope possible rather than despair convincing" (Raymond Williams) Watching a lot of films this year, recovering lost time. Letterboxd: https://letterboxd.com/doublesqueeze/
You think you’ve got the system beat, then you run out of paparazzi. Vivid restoration by M+ of a HK procedural with a twisty plot and too many competing (dis)loyalties to keep up with. It all seems labyrinthine and untangleable - then it ends. Breathless and engaging. #cineredis26 #9 #FilmSky
Propagandic Boulting Brors war film that tells the story of pre-war ICE, uh Nazi, repression in Germany. Over-optimistic in its belief in the power of Christian goodness to see the country through. Some hard-hitting moments including a teenage rape and prison camp torture. #cineredis #8 #FilmSky
Poetic parable played beautifully against the landscape of rural Morocco. I underappreciated it, as the deep historical context is sadly beyond my ken. The ritual insistence and the anti-materialist themes, however, are clear and I enjoyed it (Mirage, 1979). #cineredis26 #7 #FilmSky
The petty childishness of people who are allegedly steering taste for serious cinemagoers, and their inability to migrate their obsessions to realrelationships is painfully funny. A clever pairing at #cineredis26 (film #6 for me) with Goodbye, Dragon Inn. #FilmSky
Playful depiction of the vicissitudes of Indian student life, in an academic world that is cynical in its apportionment of honours. A strong sense of the resilience of youth, the joy associated with the pains of being tested, and a happy unpredictability of outcomes. #cineredis26 film #5 #FilmSky
It is hard to convey the pleasure gleaned from watching a group of men at a urinal, a woman limping towards an unseen projectionist, or disparate people in a cinema with banks of empty seats. The lingering enables more on the screen in a way that is surprisingly sensuous. #cineredis26 #4 #FilmSky
Austere, difficult, a room or rooms filled with recognisable characters distilled to their unlikeable essences. Some marvellous monochrome photography. On balance, though, I’d prefer to have Ed Norton and Penelope Cruz pop downstairs and propose group sex. #cineredis26 film#3 #FilmSky
The intimacy and troubled familiarity of a close community, comfortable in its time-honoured relationships, now put under deep stress by impossible adult choices. Touching and harrowing, superficial and deep in equal measure, Burnett takes the simple and adds unbearable complexity. #cineredis26 #2
Excellent nostalgic trip this lunchtime through 50 years of Artificial Eye / Curzon with @markcosgrove.bsky.social and Jake Garriock. Memories for me of what seems like endless months of being able to watch Celine and Julie Go Boating in rep, yet still come out baffled each time. #cineredis26
The most barmy episode of Stingray ever made? Anything happens in every half hour. Like the dog that licks his own balls, Diabolik robs because he can. Eva wants him to. Zinko's plans to foil Diabolik crumble like Dastardly's efforts to win the Wacky Races. Beyond camp. #CineRedis26 film #1.
Excellent discussion this evening between @pamhutch.bsky.social , @markcosgrove.bsky.social and Cinema Ritrovato's Ehsan Khoshbakht on season curation and precious film preservation. "The Work of Art in the Age of Mechanical Disintegration", as it were. #cineredis26
The first day of Cinema Rediscovered 10 has arrived at @wshed.bsky.social 🎉 Get involved in the birthday fun via the link below #CineRedis26
Heading to London for my first one of these. Insufficiently caffeined. Wife at home “having an early night”.
This really is a fascinating read; the cultural construction of postwar “Britishness”, and equally the establishment of a flawed ideology that is still appropriated in ways never intended by its architects.
In 1951, Sight and Sound created a special 74-page supplement to accompany the Festival of Britain's film programme Seventy-five years later, it is now available to be read online in full for the first time Read here for free: www.bfi.org.uk/features/obj...
Booked my pass and my hotel (Wetherspoons - only the best in W-S-M). Really looking forward to it, especially the Spanish noir, boxing and Ida Lupino strands.
#FilmNoir Fans! We're going to be announcing some of the strands for this year's #FilmNoirFest this week. But exclusive to our newsletter... so signup here so you don't miss out: southwestsilents.com/subscribe
Off to the NFT later for a double bill to provide an antidote to all that Giallo I've been consuming....
#LetterboxdFriday #LastFourWatched #filmsky Possibly not my finest week, but I enjoyed them within their parameters. Muriel Box does send me mixed messages sometimes (the others are more predictable fare...)
Absurdly excited to buy my pass for Cinema Rediscovered this July. Just finished the Curse of Queen Kelly (what a story), and itching to see the restoration. (Clarification: only one of the attached pictures features Gloria Swanson 😀) @cineredis.bsky.social @pamhutch.bsky.social
Happy Trans Day of Visibility! We've just unlocked our Trans Cinema issue from 2023, guest edited by poet Spencer Williams. It is now (and forever!) entirely free.
Issue 120: Trans Cinema
June 2023
brightwalldarkroom.com
Highly recommended talk in advance of Hippfest (or, for armchair cinephiles like me, Hippfest at home). If you want to see a beautiful Leni Riefenstahl on the slopes with a skiing goat, this is the place. www.youtube.com/watch?v=R7tB... www.hippodromecinema.co.uk/hippfest/hip...
Looking forward to seeing Paul Fischer in conversation with @pamhutch.bsky.social tomorrow at Lewes Depot, followed by a screening of American Graffiti. That's a film I've not seen since 1973 or 1974 (eek!). Hoping Paul's book is a corrective to (admittedly enjoyable) Biskindian machismo!
Ditto - looks like this is going to be a cracker! (hope I’ll be able to afford it) 😀
Looking forward to reading this book when it’s out. Congratulations Pamela Hutchinson.
#MARvynLeroy continues with a pre-code double-bill. Cagney as a wily con-man is upstaged by a great over-the-top turn from Ruth Donnelly. Then John Gilbert in an almost schizophrenic role is man of leisure-turned bootlegger, oddly distanced from the remaining cast. Marie Prevost is wonderful again.
With #Chabruary now expired (but #Marchabrol activated) we move to #MARvynlLeroy , sampling the pre-code collection now on the Criterion channel. Three zingers already in the bank. Later in the month, #Silent2026 gets into full flow with the online portion of Hippfest. Who needs Easter?
#LetterboxdFriday #lastfourwatched Chabruary continues; diverting now into the first of a few Muriel Boxes.
Very much looking forward to this!
Very pleased to be doing this upcoming online research seminar for University of Reading's Film, Theatre & TV department: Wednesday 25 February, 14.00 - 15.30, "Muriel Box, 'The Truth About Women', and the truth about women directors" www.eventbrite.co.uk/e/muriel-box...