JacquiWine

@jacquiwine.bsky.social

Book lover, film lover, art lover, wine lover. I write about books at JacquiWine's Journal. https://linktr.ee/jacquiwine

The number of self-portraits by Victor Pasmore in which he depicts himself painting his reflection in a mirror is vanishingly small. If you’re interested in acquiring an example of this exceptionally rare subject, drop me a line: richard@richardmorris.org

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Here's a thread collating my thoughts on the 14 films I saw at this year's London Film Festival, which delivered many delights! 🧵 The first 7 or 8 are really excellent, and even those towards the end of my list (in rough order of preference) have something interesting to offer. Enjoy! #LFF #FilmSky

'Twilight.' (1902) Carl Moll was a great admirer of the beauty of nature, and throughout his artistic career explored the effects of light and reflections on water. This scene, painted just as day is fading into evening, invites us to lose ourselves in reverie.

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Yue Konno (1927-1996). Cherry blossom"After bath” A woman wearing a headband so that the steam does not loosen her hairstyle and her hairstyle does not collapse.Returning from the public bath with a maple bag

In this Nihonga-style portrait by Yue Konno (1927–1996), a young woman returns home from a public bathhouse (sento) amidst a gentle spring shower. She carries an open oiled-paper umbrella (wagasa) with indigo and natural bamboo spokes, framed against a textured, light golden background. She holds a small, vibrant red pouch in her lips—a traditional cloth bag used for bath accouterments—leaving her hand free to steady the handle of her umbrella.

Her hair is dressed in an intricate traditional updo secured with a yellow tortoise-shell pin (kanzashi) and a folded paper ornament. Wrapped around her hairline is a clean white cotton headband (hachimaki or tenugui headband), worn specifically to shield her styled hair from bathhouse steam and moisture so the silhouette does not collapse. She wears a striped cream-and-purple kimono lined with a dark neck collar and a purple-flowered inner trim (han'eri). Subtle vertical white lines slanting across the frame depict falling spring rain.
Yue Konno (1927–1996) was a prominent 20th-century Japanese painter who specialized in modern bijin-ga (paintings of beautiful women) within the Showa-era Nihonga tradition. Inheriting the expressive linework and delicate color sensibilities of earlier masters like Torii Kotondo and Ito Shinsui, Konno excelled at capturing intimate, candid moments of daily domestic life and traditional feminine culture.

The subject matter draws upon a celebrated genre in Japanese art: the post-bath beauty (yagatsu or yuaragari bijin). Returning from the neighborhood public bath was an essential social ritual in urban Japan. The use of the tenugui headband to protect elaborate coiffures from steam demonstrates authentic historical customs of Japanese hair care and grooming before the ubiquity of modern hair dryers.

For Renata Adler, #BornOnThisDay in 1938, a few thoughts on her luminous book SPEEDBOAT. Broad in scope yet intimate in detail, this vignette-style novel reflects the unease & disaffection in 1970s America. A truly wonderful book; the prose is sublime! 💙📚 jacquiwine.wordpress.com/2014/08/18/s...

Speedboat by Renata Adler

The American author, journalist and critic Renata Adler is perhaps most strongly associated with The New Yorker, the journal she worked with for many years. Her first novel, Speedboat, won the Erne…

jacquiwine.wordpress.com

Here's a thread collating my thoughts on the 14 films I saw at this year's London Film Festival, which delivered many delights! 🧵 The first 7 or 8 are really excellent, and even those towards the end of my list (in rough order of preference) have something interesting to offer. Enjoy! #LFF #FilmSky

In PEEPING TOM, director Michael Powell cast himself as the killer's cruel father in home-movie flashbacks, using his own son to play the boy, making the film disturbingly personal. Follow us for more from cinema history.

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First watch: L'aveu (The Confession, 1970). Not as much a thriller as Costa-Gavras' Z (1969), but similarly intense, it turns its gaze from right wing juntas to totalitarian USSR, and is based on the true story of Artur London and the Slánský trial in Czechoslovakia.

The poster for Costa-Gavras' 1970 drama l'Aveu (The Confession), featuring its star Yves Montant with special blinkers and a noose around his neck

'Still Life with Apples,' is an understated picture by William Merritt Chase, and a departure from his more elaborate still life works of the 1870s and 1880s. It is likely one of several paintings he bartered for goods and services after moving from New York to St. Louis

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ALL OF A SUDDEN (Ryusuke Hamaguchi 2026). Female friendship has been a big theme in this year’s #LFF, but this gentle Japanese film might be the most loving & moving expression of that sentiment. Every scene between Virginie Efira’s Marie-Lou & Tao Okamoto’s Mari is charged with emotion. >> #FilmSky

Film poster showing the two lead actresses sitting by the riverside at night with city lights visible in the background.

‘almost any excuse will do not to write, and reading is one of the best. I used to think that going for a walk was an excuse not to write, but I see now that I really need to go for a walk. That I can actually write on a walk.’ Renata Adler centerforfiction.org/interviews/r...

Renata Adler, interviewed by Dawn Raffel | The Center for Fiction

Dawn Raffel talks with the author of Speedboat and Pitch Dark about transcendant reading, writing a fine sentence, picking a fight, Isaac Babel–and Oprah.

centerforfiction.org

JacquiWine@jacquiwine.bsky.social · 18h ago

For Renata Adler, #BornOnThisDay in 1938, a few thoughts on her luminous book SPEEDBOAT. Broad in scope yet intimate in detail, this vignette-style novel reflects the unease & disaffection in 1970s America. A truly wonderful book; the prose is sublime! 💙📚 jacquiwine.wordpress.com/2014/08/18/s...

'...he loathed me; furthermore he also hated new people, hated men who married his female relations, hated & despised those who did not practice blood sports. I felt there was but little hope for Alfred, esp as, culmination of horror, the fella reads books.’ jacquiwine.wordpress.com/2026/10/11/l...

Love in a Cold Climate by Nancy Mitford

If you follow Karen (Kaggsy’s Bookish Ramblings) and Simon (Stuck in a Book), you’ll know that another of their hugely enjoyable ‘Club’ weeks is about to begin. Starting on Monday 12th October, the…

jacquiwine.wordpress.com

First-time watch of ADUA AND HER FRIENDS (Antonio Pietrangeli, 1960), a film that should be better known. The story of 4 sex workers who set up a restaurant… its portrait of female friendships and social hypocrisy is strongest in the richness of its unexpected details. Some favourite moments:

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For Renata Adler, #BornOnThisDay in 1938, a few thoughts on her luminous book SPEEDBOAT. Broad in scope yet intimate in detail, this vignette-style novel reflects the unease & disaffection in 1970s America. A truly wonderful book; the prose is sublime! 💙📚 jacquiwine.wordpress.com/2014/08/18/s...

Speedboat by Renata Adler

The American author, journalist and critic Renata Adler is perhaps most strongly associated with The New Yorker, the journal she worked with for many years. Her first novel, Speedboat, won the Erne…

jacquiwine.wordpress.com

This book was an experience. It was as sinister as the movie, but hit me on a gut level; it reminded me so much of being a child and knowing something you’re not supposed to, or the frustration when parents don’t believe you. But it also reminded me, oddly, of both Dickens and … The Sheltering Sky.

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In the 1920s, automat cafeterias were among the first public places where women could dine alone. Automat (1927) captures that new urban freedom—and the reflective loneliness that came with it. Is this what it feels like to be free?

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The closeness of Édouard Vuillard's relationship to Lucy Hessel (his dealer's wife) is clear in this picture, from 1905, not least because her face appears in shadow - it's a glimpse into their lives, an intimate and informal moment immortalised for prosperity.

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From the archive for the #1949Club, my thoughts on THE GIRL ON THE VIA FLAMINIA by the author & screenwriter Alfred Hayes. Set in Rome in 1944, it's a beautifully written novella, shot through with an aching sense of sadness. A favourite book from 1949. 💙📚 jacquiwine.wordpress.com/2018/12/04/t...

The Girl on the Via Flaminia by Alfred Hayes

After serving in the US army in the Second World War, the British-born writer Alfred Hayes stayed on in Rome at the end of the conflict where he worked with some of the leading lights in the Italia…

jacquiwine.wordpress.com