Alex Burchmore

@alexburchmore.bsky.social

Senior Lecturer in Art History and Curatorial Studies, Australian National University; author of New Export China (University of California Press, 2023) and Material Selves (Bloomsbury, 2024); scholar of things and people in motion

It's Textile Tuesday, and you know what that means: a piece by artist Faig Ahmed called "The Dragons of Karabakh" that's woven to look like an antique Central Asian carpet is melting off the wall into a puddle. More about the artist here: faigahmed.com

A red, blue, yellow and white work of textile art by Faig Ahmed that appears to be a traditional Central Asian carpet but is woven to look as through it's melting onto the floor in a puddle. Museum of Fine Arts, Houston.

It requires expertise to be able to say, “I do not know the answer to that question, and that is becauae thus far scholarly consensus is that we do not have the knowledge needed at this time to answer that question.” Sometimes “I don’t know” is a far more rigorous answer than people might think.

Academics and scoleres are not gate-keeperes. Thei will talke to you about their topiques. For dayes. Thei will sende lynkes. Thei will order bookes. Thys ys why thei lyve. Thei are the route bitwene past knowledge and future knowledge.

I guess I am comfortable saying that in cases where people you formerly respected, or presumed you did, are now actively choosing to sunset their own minds & surrender them to machines invented by incels and billionaires, then yes there should be a stigma for that. This is what society is for

Hypervisible @hypervisible.blacksky.app · 6d ago

“There is also a moral and political judgment that is coming along with AI usage…Especially in creative industries where the stigma is the strongest.”

To help relieve work stress, don't answer emails on the weekend. Also on weekdays after 5 PM turn off your email. On Mondays, don't log into your email until after noon. Before logging in on Tuesday burn your computer and erase your identity. By Wednesday morning gather supplies and escape into the

Question for those of you who aren’t from Aus/NZ! If you read that 19th-century mining heritage sites, now overtaken by bush/forest, were ‘under threat from fossicking, forestry, fire, weather and small-scale tin mining’, would you understand the term ‘fossicking’? Have you heard this term before? 🗃️

Master of opulent still life: Willem Kalf, Dutch Baroque artist, died #OTD 1693; known for dramatic, glittering works, including this 1653 composition of lobster, glass goblets, oriental rug & Renaissance silver-mounted St Sebastian Horn of Archers Guild. ALT National Gallery | Amsterdam Museum

Known as ‘pronkstilleven’ opulent Dutch still life arrangements frequently included ornate silver, glass goblets, oriental carpets & china, fine damask napkins  - and curiosities such as nautilus shells. Kalf was regarded as the master of these compositions, with dramatic lighting, vivid colours, foreshortening and bold diagonals. 
In this painting his use of the late Renaissance silver-mounted horn of the Archers Guild (with sculptural figures of St Sebastian & soldiers) suggests that the painting might have been commissioned by this Guild.Late Renaissance silver-mounted buffalo horn of St Sebastian, the base with sculptural figures of the Saint & soldiers. Dated 1565, originally  belonging to the Archers Guild, with arms of Amsterdam. 
Identified as the St Sebastian horn in Kalf’s painting, it is now in the collection of Amsterdam Museum.
St Sebastian was a patron Saint of archers as he suffered martyrdom from arrows. 
The Guilds collected silver & other treasures for ceremonial banquets, in the same way as London Livery Companies.

Today is the official publication day for my new book, Sedimentary Aesthetics: Painting on Stone and the Ecology of Early Modern Art. It is out in the world, and I would like to thank @yalepress.bsky.social for all they did. I’d also like to tell you a bit about why this publication means so much.

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