Creative Critical

@creativecritical.bsky.social

creativecritical.net is an online journal for writing and teaching that explores the relationship between creative and critical practices Eds: Irina Dumitrescu, Gabriel Flynn & Thomas Karshan Submissions: editors@creativecritical.net

What’s the best thing you’ve ever read about literary translation / literature in translation? Can be general, specific, theoretical, pragmatic whatever, any combination of languages. I’m writing a piece about the ones that have stayed with me but curious which have been important for others too.

'No, there was something in the poetry itself, something that I was unable to simply dismiss as nostalgic white-nationalist kitsch-mongering, something bittersweet and strange that seemed to rumble away beneath the surface of the text.' New on our website: @ajbwells.bsky.social on Banjo Paterson

Overflowed earth: Versions against Banjo Paterson - Creative-Critical

By Alexander Wells. A.B. ‘Banjo’ Paterson (1864–1941) is probably the best-known and least-liked poet in Australia. His bush ballads, as they are called, still get inflicted on Australian school stude...

creativecritical.net

'Any free time should have been spent on publishable work that might improve my prospects. But I was exhausted that evening. I idly flipped through Auden, paused on the poem ‘Lullaby’, and picked up a dusty guitar with my other hand.' New on our website: J.T. Welsch on setting poems to music.

Strange Conversations: Musical Poem Settings as Creative-Critical Practice - Creative-Critical

Might the first-person critical-creative voice be a marker not of identification with one’s subject, nor of the collapsing of critical distance, but rather a different kind of creative act that afford...

creativecritical.net

'Any free time should have been spent on publishable work that might improve my prospects. But I was exhausted that evening. I idly flipped through Auden, paused on the poem ‘Lullaby’, and picked up a dusty guitar with my other hand.' New on our website: J.T. Welsch on setting poems to music.

Strange Conversations: Musical Poem Settings as Creative-Critical Practice - Creative-Critical

Might the first-person critical-creative voice be a marker not of identification with one’s subject, nor of the collapsing of critical distance, but rather a different kind of creative act that afford...

creativecritical.net

“Sustainable, infinite, inspiring,” Nicholas Royle called A Personal Anthology. Tomorrow’s edition, with a dozen handpicked short story recommendations, comes courtesy of guest editor Tim MacGabhann. Sign up below, or RT if you already subscribe! apersonalanthology.substack.com/about

About - A Personal Anthology

A weekly guest-editor picks and introduces a personal anthology of twelve favourite short stories. Click to read A Personal Anthology, by Jonathan Gibbs, a Substack publication with thousands of subsc...

apersonalanthology.substack.com

“Every man who plays with literature at all must be ambitious to succeed in some form of art that may be called 'creative,' as distinct from critical—a distinction which, since Arnold taught us our lesson, we know does not exist. ” Macy's nascent Creative-criticsm @creativecritical.bsky.social

Tim Beasley-Murray@timb-m.bsky.social · 12mo ago

Quoted in John Albert Macy's The Critical Game, 1922. A curious book that I wish I had know about when playing my own Critical Games.

Just one more day to submit for Tolka Issue Ten. Send us your non-fiction, memoir, essays, autofiction, and anything that falls in between. Submissions close midnight, Wednesday 21 May.

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