Pete Paphides

@petepaphides.bsky.social

It may look to the untrained eye, I'm sitting on my arse all day. https://www.patreon.com/c/NeedleMythology

We’re huge fans of Honeybus and all the associated solo albums and unreleased gems The call and response backing vocals on She Sold Blackpool Rock are a genuinely genius bit of songwriting (Then she told me that she knew) (How they make the letters go right through) Off to put Story on now

So much to love about Honeybus: how Pete Dello was so instantly unimpressed by pop stardom; how the rest of the band rose to the challenge of making an amazing album without him; and, best of all imho, the imperishably strange magic of their shoulda-been smash She Sold Blackpool Rock.

“I don’t belong to the public and I don’t belong to anybody really.” Why pop stardom ended almost as soon as it began for Honeybus | Pete Paphides

For me, there are few happier places than a randomly discovered documentary that tells, in molecular detail, the story of a how a really gre

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As a fellow Lampeter alumni I really enjoyed this. Sadly Hag passed away a couple of years ago and the shop no longer exists but whilst it did it was glorious. It also came with a worker called Bob who was brilliantly critical of music taste and who sold me my first album by The Fall (who he loved)

Pete Paphides@petepaphides.bsky.social · last wk.

Scenes from a West Wales market town in 1989 and why, at this time of year, you'll always find me listening to The Notorious Byrd Brothers. www.patreon.com/NeedleMythol...

My wildly subjective take on this brilliant article is that in 1985, Wood Green, & its new shopping centre, was the spiritual home of American independent music’s lyrical literary - Southern Gothic & Emily Dickinson - aspirations. Wood Green is a magical place. So were 80s shopping centres.

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Pete Paphides@petepaphides.bsky.social · 2w ago

For around a year or so, R.E.M. and 10,000 Maniacs seemed to be moving in sync: writing about the same stuff; working with the same producer and even recording their albums back-to-back in the same London studio. Both records are firm fixtures in my all-time top ten. Allow me to elaborate...

This is a lovely piece. It's interesting, though, that in framing things relative to the departure of John Lombardo after The Wishing Chair, it backgrounds what to me was the most notable -- and to me, saddest -- aspects of 10K's journey to full-blown AltPopularity. ...

Pete Paphides@petepaphides.bsky.social · 2w ago

For around a year or so, R.E.M. and 10,000 Maniacs seemed to be moving in sync: writing about the same stuff; working with the same producer and even recording their albums back-to-back in the same London studio. Both records are firm fixtures in my all-time top ten. Allow me to elaborate...

This is brill, Pete. I love 10,000 Maniacs - came to The Wishing Chair first, mostly because of Just As The Tide Was A-Flowing. Going to stick that on now. Wouldn't a book-length version of this be great, 'ey?

For around a year or so, R.E.M. and 10,000 Maniacs seemed to be moving in sync: writing about the same stuff; working with the same producer and even recording their albums back-to-back in the same London studio. Both records are firm fixtures in my all-time top ten. Allow me to elaborate...

For 12 months, R.E.M. and 10,000 Maniacs moved in sync. But if you only know Fables Of The Reconstruction you only know half the story: Revisiting The Wishing Chair | Pete Paphides

In the Rough Trade pop-up store at this year’s Green Man festival, there were about six boxes given over to second-hand records. I picked up

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I blazed through this, all the time thinking what a brilliant topic it would be for a documentary or a biopic. I hope it falls into the hands of someone who might be able to help make it happen. We truly seem to have forgotten what a radical new sound those early Shadows singles were.

new modern books@newmodernbooks.bsky.social · 3w ago

“This is the last great untold story of the beat boom era - and Bob Stanley is the perfect person to tell it” @petepaphides.bsky.social ‘The Shadows: The Definitive Story’ by @rockingbob.bsky.social 24-09-26 Viva Los Shads! #cliff #theshadows

Anyway, there's always room for some shameless self promo. Here's my piece for @thequietus.com about the recent comp of early Musical Youth recordings, including their original demo of Pass The Kutchie on @petepaphides.bsky.social's Needle Mythology label thequietus.com/quietus-revi...

Reissue of the Week: Mash Down Birmingham by Musical Youth | The Quietus

Wrongtom dismantles the unhelpful idea of the one hit wonder with some help from a new anthology of early recordings by Musical Youth

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I've been playing this album repeatedly over the past fortnight. At various points, it makes me think of Van Morrison's The Way Young Lovers Do, Peter Doherty's Grace/Wastelands, Stephen Duffy's I Love My Friends and also The Clientele and The Waterboys.

“By making the album of his life, Matthew Edwards has made, well... he's made the album of his life.” | Pete Paphides

Do you ever think about how it works when your life flashes before you? Do you imagine something akin to when you’re rewinding a recorded pr

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I simply must share with someone* the realisation that if you sing the opening lines of The Killers' All These Things That I've Done, the melody is improbably close to the verses of Star by Earth Wind & Fire. [*you]

Once in a while I remember that an album that only existed in my head before I set about trying to make it a reality elicited responses like this one (from Andrew Male). And I can't tell you how good that feels.

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