Dr Anna Clark

@drannaclark.bsky.social

Humanities, history of art, architecture & landscape; museums, libraries & collections

Now on view: Thyssen Bornemisza ❤️ Mauritshuis  – Masterpieces from Madrid Take a first look at this special exhibition, bringing 25 masterpieces from Madrid to The Hague. From Jan van Eyck to El Greco, discover exceptional works and stories of love and connection.

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De retour de mon premier jury de thèse à l'étranger, à Aarhus au Danemark. Marie Hélène van de Ven est désormais docteure, avec une thèse sur la céramique apulienne et le trafic d'antiquités.

Le batiment du département d'études classiques d'AarhusUn moulage de la statue du moscophore (porteur de veau), au musée des moulages de l'université où avait lieu la soutenancePost LinkedIn de Vinnie Nørskov.

Congratulations to Marie Hélène van de Ven who succesfully defended her PhD thesis Recontextualising Illicit Antiquities. Apulian Red-Figured Vases from the Art Market in Antikmuseet Aarhus University yesterday. A warm thank you to the assessment committee Martine Denoyelle, Fabien Bièvre-Perrin and Adela Sobotkova for their critical engagement with the subject and most interesting discussions on the pottery, that is treated in the thesis.Détail d'un vase italiote du musée (mais pas l'un de ceux sur lesquels portait la thèse). Une femme assise parle à une autre. Sous elle on voit un baluchon posé au sol.

What a charming #Egyptian bronze figure of a shrew! Since shrews are animals that find their way in the dark they were connected to the descending phase of the sun’s nocturnal journey. Late Period (746-332 B.C). On display at Museum Hohentübingen. 📷️ me

A small bronze statue of a shrew standing on a rectangular base. The figure is elongated with a pointed snout, slender legs, and a long tail, featuring engraved decorative patterns on its back. Displayed against a neutral background with the label number 42

Step into the world of Aphrodite 🐚✨ Bringing together archaeology, sculpture, painting, contemporary art and fashion, this exhibition traces Aphrodite's remarkable journey through the ancient Greek and Roman worlds, Renaissance Europe, and into the present day.

Sculptures on display inside Aphrodite: The Making of a Goddess at the Ashmolean Museum.A view of Crouching Aphrodite or Venus from behind a blue screen.Sculptures on display as part of Aphrodite: The Making of a Goddess at the Ashmolean Museum.

“Beware that, when fighting monsters, you yourself do not become a monster...For when you gaze long into the abyss, the abyss also gazes into you.” Friedrich Nietzsche, influential German philosopher, born #OTD 1844. Jenseits von Gut und Böse 1886 | Portrait by Edvard Munch 1906, Thielska Gallery

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Gold snuff box 1767, with six miniature views of Château de Chanteloup, gouache on vellum; commissioned by duc de Choiseul 1719-1785; statesman, Minister of Foreign Affairs to Louis XV, patron of arts; after fall from favour in 1764, retired to his Château, extensive park & gardens. ALT Met Museum

The six miniature landscaped views of his Château were completed in 1767, in gouache on vellum, by Louis-Nicolas van Blarenberge. 
These provide precise details of original landscaping of some of the park of 11,000 acres. 
This is an important record as the Château (near Amboise) was destroyed in 1823, and only part of the park with the seven-storey Pagoda de Chanteloup (built in 1775) still remains.Snuff box lid featuring Château de Chanteloupe, approached from main entrance, La Grille Dorée, 24 yards wide, surmounted by coat of arms of Duc de Choiseul, flanked by two guard pavilions (which still exist).
Carriage drive passed on each side of parterre with ornamental basin (pièce d'eau), over two parallel bridges into entrance court. with  landscaped gardens and water features.

Lying-in: a new mother receives visitors, who bring presents of sugar almonds; which little girl feeds to parrot. Charming Louis XV Sèvres porcelain plaque 1765 by painter Charles-Nicolas Dodin; commissioned by Marquis de Courteille, Director of Sèvres (seated left) grandfather of baby. V & A Museum

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”Sunt lacrimae rerum et mentem mortalia tangunt…” Virgil (Publius Vergilius Maro), poet of Ancient Rome, whose epic Aeneid inspired Western art & literature; born #OTD 70 BC. Landscape with Aeneas at Delos, 1672, by Claude Lorrain National Gallery London

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The Tempietto, San Pietro Montorio Rome, masterpiece of High Renaissance, designed by Donato Bramante in 1502. Circular temple with Tuscan columns & Doric entablature: earliest example of Tuscan order in Renaissance. Architectural model in walnut & pear wood, 19th Century, V & A Museum, London

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👏📸👏 An inspired snap at #Brantwood, @andyksheff.bsky.social! #Ruskin's portrait catching a glimpse of the dining room's iconic windows, symbolising his Seven Lamps of Architecture - Sacrifice, Truth, Power, Beauty, Life, Memory & Obedience that he believed should guide both architecture & society.

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Andy Kershaw Media@andyksheff.bsky.social · yesterday

Enjoyed a couple of hours around John Ruskin’s home at Brantwood,Coniston in the English Lake District today. He spent the last 28 years of his life here @ruskinsociety.bsky.social

L'approche des vacances, c'est aussi l'occasion de profiter des belles expositions qui ont récemment ouvert au public (ou s'apprêtent à ouvrir) en Ile-de-France. Mon programme personnel pour la semaine prochaine !

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Opening next month (21 November) at the National Gallery in London: probably one of the greatest, most exciting and most important exhibitions ever! For the first time in history all portrait paintings by Jan van Eyck will be brought together.

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Neoclassical masterpiece: Le Petit Trianon, 1762-68, at Château de Versailles, designed by Ange-Jacques Gabriel (1698-1782), principal architect of Louis XV; intended for Mme de Pompadour, later given to Marie-Antoinette. West façade with Corinthian columns over French Garden. UNESCO World Heritage

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Assured portrait of last Duke of Urbino, Francesco Maria Il della Rovere, 1572, by Federico Barocci, versatile artist who inspired Rubens, born in Urbino c 1535. Portrayed as knight in glittering armour, with composure & style of Spanish Court, where Duke spent time 1565-1568. Galleria degli Uffizi

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The young bull, 1647, monumental painting by Paulus Potter, Dutch Golden Age artist specialising in animals, 1625-1654; known for his detailed portrayals of sturdy cattle against low horizons. ⁦‪Mauritshuis, Den Haag

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Portrait of a Lady in Yellow, possibly Duchess of Urbino, with restrained classical profile contrasting with elaborate palm motif on sleeve, oil & tempera on panel, c.1465, by Alesso Baldovinetti, Early Renaissance Florentine artist, master of Ghirlandaio, born #OTD 1425. National Gallery

The palms may be heraldic, or refer to the family palace in Urbino known as Palazzo della Palme.

🧵There’s something magical about autumn and winter landscapes steeped in history. Crisp air, fallen leaves and frost-covered stone can connect us to people who stood in the same places centuries ago. These moments remind us why preserving our shared heritage matters for future generations. Beyond

The skeleton of Bolton Priory stands frozen in time, its stone arches rising from a frost-kissed emerald valley where bare winter trees stretch like veins against the sleeping hills. Image: 
Tejvan Pettinger, CC BY 2.0

This atmospheric woodblock print was made by Hiroshige in 1857. This artwork was greatly admired by Western artists in the late 1800s and was even being copied in oils by Vincent van Gogh in 1887. ☔️ Sudden shower at Ōhashi Bridge, Atake, Hiroshige Utagawa, I (1797 - 1858), 1857. EAX.4740

A woodblock print of Sudden shower at Ōhashi Bridge by Hiroshige Utagawa I.A woodblock print of Sudden shower at Ōhashi Bridge by Hiroshige Utagawa I.