Emmeline Chang

@emmelineschang.bsky.social

WRITER ⛥ | Taiwanese Am | Fiction, NF, MG | Seal Press HuffPost BigCityLit | Tin House VONA Kenyon Review Ragdale VCCA Millay | MFA Columbia | Rep: Erin Harris at Folio linktr.ee/emmelinechang www.emmelinechang.com

"Worry comes with the territory. But if you set out on your path, it’ll become worth it. The journey is half the fun, especially if taken with a sense of discovery and adventure. The alternative is to do nothing. To sit in terror and become bitter."

Maurice Ruffin@mauricenow.bsky.social · 2y ago

The give up: What do writers do when we arrive at the end of our chains? Give up? Sure, but you should remember this first. mauricecarlosruffin.substack.com/p/slouching-...

Inside our new issue: Aaron Gilbreath’s practical reflections on earning a living outside of literature; Nicole Graev Lipson’s essay on the sidelining of books on motherhood and a call for their valuation; and news of an audiovisual poetry archive at the University of Arizona. at.pw.org/MarApr2025

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‘Those who write for children have the chance to point them towards beauty that they do not yet know exists: towards versions of joy that they have not yet imagined possible.’ Katherine Rundell on the challenges and opportunities of children’s literature: www.lrb.co.uk/the-paper/v4...

Katherine Rundell · Why children’s books?

Children’s books, to a great extent because they are written for those who cannot participate in the market, can offer...

lrb.co.uk

Rosa Kwon Easton and Hyeseung Song in conversation about Rosa’s debut novel, WHITE MULBERRY. Inspired by Easton’s grandmother, WHITE MULBERRY is a rich and moving story of a Korean woman who moves to Japan in the 1930s to pursue her dream of living an independent life. So worth a read! #booksky

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Trying to imagine the loneliness of working at a bookstore named for your mom after she went back to your abuser—and then becoming her assistant, all while your sister works on her biography that won’t mention your abuse. www.newyorker.com/magazine/202...

Alice Munro’s Passive Voice

The celebrated writer’s partner sexually abused her daughter Andrea. The abuse transformed Munro’s fiction, but she left it to Andrea to confront the true story.

newyorker.com

One thing I didn't know would happen when my mom died is that I would feel like my own life was, in a way, over too. I can see death standing there on the horizon much more clearly than I could before. It's taller now. Closer. This is a bleak thing to say, but it's just how I've been feeling.