Helen Hartstein

@helenhartstein.bsky.social

Co-leader at RAMM museum, Exeter and Chair of Refugee Support Devon. I love museums, archaeology, moors, art, books, crochet, weaving, heritage, walking, Devon, Yorkshire, Cordoba. Views are my own. She/her.

Everyone talks about the north south divide but look where the south west is on this chart. Devon and Cornwall might look beautiful when you come here on holiday, but our young people are facing massive inequalities. #education #Alevels #devolution

Social Market Foundation@smfthinktank.bsky.social · 3w ago

The chances of going to university still depend far too much on where you grew up. Our analysis of UCAS #ResultsDay data shows 43% of 18-year-olds in London have been accepted into university, compared with just 25% in the North East

There are a lot of motivations for these men, including feeling powerful & TikTok income. But I firmly believe it’s also about making women feel constantly under vigilance and anxious - so it is similar in that way to the most oppressive religious regimes.

Katie Martin@katie0martin.ft.com · 7mo ago

"in most cases, these videos appear to have been filmed secretly - using Meta smart glasses." Argh for the love of god BAN. THE. PERVERT GLASSES.

This photo was taken in 1911 using glass plate technology by Herbert Ponting who was part of Scott's Antarctic expedition, The composition and detail are exquisite with the band of white snow/ice creating a perfect frame around the two people and the ship in the distance Iconic imo

Photograph from 1911 taken by Herbert Ponting whilst with Scott's Antarctic Expedition

The monochrome photo is taken from within a cave. The walls of the cave are made of ice. The cave entrance is in the mid distance with two figures standing looking out towards a distant ship. Between them and the ship there is first a 'beach' of ice before the sea itself. The ship could be up to 800 metres away

What makes the photo so special is that where the figures are at the cave entrance there is a band of very white snow and ice (contrasting with the comparatively dark inside of the cave) that creates a stark framework in which the men and the ship are captured. It is made even more dramatic by the fact that the cave entrance is at least 30 metres high and is in the shape of a distorted elipse with the tail sloping off to the right at the top of the elipse

The photo being in monochrome in a largely white environment makes the photographers skill all the more laudable