Jaka Lombar

@jakalombar.bsky.social

Got a new google scholar notification, so I go check and find this very cool poem by Wang Jibing 王计兵, the recent Lu Xun prize winner, prefacing a PhD thesis on women migrant workers and the gig economy PhD students in all disciplines: more poems in theses please, we love to see them! ✨💫

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Cannot recommend the department, the supervisor or the wider research community at Trinity enough!! Happy to answer any questions prospective applicants might have from the perspective of a doctoral student at TCD

Jennifer O’Meara@jomeara.bsky.social · 4mo ago

Hiring: 4 funded PhDs for project on Acoustics & Immersive Storytelling via the cultural space of @tcddublin.bsky.social's Long Room. I'm PI for a screen studies + digital arts project on a/v media experiences, building on modes from expanded cinema, XR & massive media. dh.tcd.ie/projects-2/f...

RIP Diane Keaton- such sad news, what an incredible talent. You probably didn't know she collected clown paintings by amateur artists, eventually publishing an entire book devoted to them

Diane Keaton surrounded by clown paintingsBook cover, Clown Paintings by Diane Keaton

Diane Keaton created new ways for women on screen to laugh, think, cry, age, and, yes, dress. She was flinty and vulnerable and so much everything all at once. I, for one, wouldn’t be me without her.

I am so delighted to announce that my desktop documentary "Google Mapping Blow-Up: A Desktop Remediation" has been published in issue 22 of Frames Cinema Journal. I want to thank Yuanxin Chu, Rachel Ng & Camila Contreras-Langlois for their work on this issue. framescinemajournal.com/article/goog...

Google Mapping Blow-Up: A Desktop Remediation

DOI: https://doi.org/10.15664/fcj.v22.i0.2997 This desktop documentary (https://vimeo.com/1121241319) retraces the London filming locations of Michelangelo Antonioni’s Blow-Up (1966) via Google Maps…

framescinemajournal.com

Scholarly orgs based in the U.S. that purport to be "international" are going to need to come to terms with what it means to continue holding their in-person gatherings in a country many people cannot travel to or no longer feel safe visiting for all kinds of reasons.