Kip Manley

@kiplet.myatproto.social

Writer, phantasist, bon viveur; a litigation support paralegal as needed. Spouse to a cartoonist, parent to an aspiring large-animal veterinarian, four cats and (now) two dogs to be fed on a regular basis. See also @thecityofroses.com

From Genoa to Tangier, dockworkers are refusing weapons shipments and shutting down ports to “create real pressure to stop this dirty war.” @sarahlazare.bsky.social reports that unions in six countries are organizing with the demand: “Public resources must be used to meet people’s social needs."

Dockworkers Unions in Six Countries Announce Day of Strikes and Protests Against War and Genocide

Unions representing workers at 40 ports in Europe and the Mediterranean are calling for an international day of action on October 30.

inthesetimes.com

"The choice underlines the lack of seriousness in Nolan’s thinking about his themes: the ethical and cultural costs of entering other people’s homes uninvited, for the purpose of extracting resources without respect for an unwilling host."

I wrote about TEENAGE SEX AND DEATH AT CAMP MIASMA for Reverse Shot. I think it is an extraordinary film - a dizzying, unabashedly kitschy stoner rom-com. I sung its praises + did a temp check on "Trans Cinema" below: reverseshot.org/reviews/entr...

Teenage Sex and Death at Camp Miasma

How do you make a film that feels like your own, when everything about your form has been tokenized, appropriated, wrongly treated as representative of your entire community? This is the impossible, i...

reverseshot.org

Today, August 4, 2026, is the setting of Ray Bradbury’s short story “There Will Come Soft Rains” about a fully automated house continuing on after the family who lived there and the world around it died in a nuclear blast.

One more interesting point: this spring I sat down with Sharyn Alfonsi of 60 Minutes for an extensive interview about my Epstein investigation. Subsequently, CBS pulled the segment and fired the reporter. The MAGA buyout of media has unquestionably aided the Trump administration’s cover up here.

Senator Ron Wyden@wyden.senate.gov · yesterday

Bombshell new report out from my investigators this morning spanning our four year investigation into Jeffrey Epstein’s financial records. This report shows exactly how Wall Street protected Epstein and enabled his sex trafficking for decades. Mega thread following with some key points:

"...it's interesting that the death penalty for an absurdly rich health care CEO—who got rich through crimes of killing patients—is outside the bounds of acceptable discourse."

Anybody at @moderation.bsky.app want to try to explain why they suspended @matthewcort.land, ANOTHER of the most prominent people out here fighting for disabled and marginalized people? Like… are y'all planning to suspend/ban literally every disabled legal scholar/policy worker out here, orrrr…?

ali alkhatib@ali-alkhatib.com · 2d ago

anyway, if you're looking for Matthew Cortland, you should sub to their patreon since they're a disabled lawyer evidently getting deplatformed from places.

“I always get asked, ‘Why do you turn around?’ And I always answer, ‘So you don’t have to.’” With HADESTOWN a box-office smash, I asked three of its original Broadway principals—Reeve Carney, Eva Noblezada and Amber Gray—to discuss their experiences filming it, for @letterboxd.social: boxd.it/3hW

Way Down: Reeve Carney, Amber Gray and Eva Noblezada on Hadestown: The Musical’s theatrical triumph • Journal • A Letterboxd Magazine

As Hadestown becomes a summer box-office sensation, original Broadway principals Reeve Carney, Amber Gray and Eva Noblezada discuss the filming of its live capture, their intertwined love stories and ...

boxd.it

This is especially true on the left or left liberal end where a lot of people have fried their own brains on a litany of bigotries in order to justify being for the idea of the border regime, something that is younger than modern liberalism or republicanism and arguably younger than Marxism.

"There, he stages—and occasionally stars in—pretty much whatever he wants, which tends to be revivals of Broadway shows from the nineteen-seventies, particularly Sondheim."

respectfully, we've taken a few days to talk about the translator's take on The Odyssey and I would like to get back to my original question of "Why Did Odysseus Put That One Suitor In A Dragon Sleeper and Who Taught Him How to Do That in Ancient Greece?" if that's okay