Straith 🍉

@straith.ca

D.A. Straith (they/them). Toronto-adjacent fiction person • nonbinary trans & queer settler • work in Augur, Fusion Fragment, SHATTER THE SUN • Clarion West Novel Workshop ‘25 • agent: Laura Zats @ Headwater • straith.carrd.co

I find it so weird - not surprising so much as maddening and unsettling - that mentioning COVID-19 or the pandemic is considered such an intense marketing faux pas

I can vouch for Archita, who recently lost her father to cancer & is the sole caregiver for her mother who's also suffering from cancer & needs extensive and very costly treatment. She's all alone and struggling to bear the costs. Please share widely & donate if you can:

Archita Mittra@architamittra.bsky.social · last wk.

Neither my physical nor mental health is great, but I'm NOT giving up. I urgently need funds for our healthcare, so please circulate/donate if you can, and if you're able to help out in any other way, pls DM. You can donate via Gpay/UPI QR code (if you're in India) or ko-fi: Ko-fi.com/architamittra

HELLO this is a note that the agent scammers have reached me, so watch out for anyone claiming to be a CAA agent emailing from a Gmail account and especially if they’re emailing you as though you wrote a manuscript that’s actually by your friend

as someone writing a Gawain that WILL piss people off (I know because I have seen them posting in spaces where I hang out) I am really appreciating all the talk on epics and adaptations today

If we were not passionate about the history of the world's myths and stories, if we did not see our own lives entwined and tangled with them, if we did not have strong opinions...it would be a lot of dry and crumbling work. No one would know these stories for what they are. Big entertainment.

In truth, if you're not going to piss anyone off, you probably don't have enough passion to do a translation or adaptation of said famous epic. it's totally normal & appropriate to feel passionately about other people's versions of an epic. It's part of the tradition to shout about epics in public.

Thing about working with famous epics is that they're famous epics for a reason. Tons of people have had opinions about them for millennia. If you're going to work with one, you know your version is going to piss some people off. Even a *sedate* famous epic inflames some of its audience.

You don't actually have to be faithful to the source material. Like, ever. The source material can be turned and twisted and you can see how light reflects off it and bounces if you do this or that, and that gives us a better, richer, more lively understanding of the source material.

HELP I JUST ACCIDENTALLY CLICKED THE CANVA "shuffle brand palette" BUTTON AND THEN "APPLY TO ALL PAGES" IN A DECK LIKE 80 SLIDES LONG LMAOOOOO they're all SO UGLY NOWWW