Wendy Allison Lee

@wendyallisonlee.bsky.social

Not the novelist or the other Wendy A. Lee. Opinions my own (because, of course, they are?).

It’s been a hard week and I nearly missed that this was finally out. I wrote “Victorian Studies and the American State” 5 years ago and have been discussing it with some of you for a decade. Surreal to see, and grateful to be in the good company of @jakeromanow.bsky.social and brilliant respondents

Victorian Studies and the American State | PMLA | Cambridge Core

Victorian Studies and the American State - Volume 141 Issue 2

cambridge.org

I asked the students in HIST 111: Histories of Technology to send me a photo of their preferred in-class writing instrument, do a deep dive re: its materials, manufacture & tell me where they got it, what it feels like to write with+++ Their responses have been a HUGE pleasure to read!

An image of a Muji mechanical pencil on a dark wood surfaceA black mechanical pencil and eraser on a piece of lined paper with some writing on it.Several images of a Muji mechanical pencil from different anglesA hand holding a grey Bic pen with a black cap in a classroom (chairs in the background)

It's official: MY BAD: A PERSONAL HISTORY OF THE QUEER 90S AND BEYOND has a cover! I love how the yellow feels like a run over hazard sign, and the mixtape is perhaps my personal 90s icon. As for those sexy statues? You'll have to read it to find out...

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The critique that police aren’t workers hasn’t been helpful to abolition. It’s not about welcoming carceral industries in the labor movement. It’s about dealing with how the economy, public sector jobs, and budgets are entangled with carcerality. And organizing for a new public with different work.

Our digital repositories team spends a great deal of their time now simply protecting our commoned public digital resources from bots. This insatiable, aimless, destructive desire to excrete novel slop is impeding our access to — and even damaging — our cultural heritage + vetted public knowledge.

Samuel Moore@samuelmoore.org · last yr.

'“I don't think that people appreciate how few people are working to keep these collections online, even at huge institutions,” Weinberg told me. “It's usually an incredibly small team, one person, half a person, half a person, plus, like their web person who is sympathetic to what's going on.'