Yuqi “Anna” Jiang

@annajiang.bsky.social

AHRC-Funded PhD Student at the Shakespeare Institute - Supernatural Children and Youths in Early Modern Drama

CfP for @imc-leeds.bsky.social 2027: "Queer and Trans Medieval Communities" 🌈🏳️‍⚧️ We welcome papers (15-20min) from all disciplines of medieval studies by scholars at any level, on any aspect of medieval queer and trans community, in person or virtual. Abstracts due 31 Aug. We'd love to hear from you!

As the existence of the trans and queer community is under constant and
increasing threat across the world – with alt-right political rhetoric in the West seeking to rupture solidarity for and within the global queer community – the work of the historian has never been more vital. Historians have long found solidarity and recognition of queer experiences and practices with individuals and groups of the past. In concert with the wealth of current research being produced in trans and queer medieval studies, this panel session responds to the urgency of this present moment. In the face of existential threats, we recognise the importance of finding community with one another, which includes understanding our community has a history. This panel session seeks not only to contribute to transtemporal and scholarly trans and queer community building, but to better understand what historical trans and queer communities and practices may have looked like – including the mechanisms and structures that attempted to preclude such community formations. Engaging with and making legible such histories constitutes an act of compassion both with historical actors and with living members of our community today. It also constitutes an act of resistance, by finding existence and continuity in community.
Presentations may address but are not limited to the following topics:
-Cultivating cross-temporal queer and trans community
-How trans and genderqueer experiences manifest in the Middle Ages
-Spaces in which queer/trans community could be manifested in the Middle Ages
-Communal failure or loss of community
-A failing or absence of a trans and queer community
-Texts, codes, etc. used in constituting queer and trans communities in the Middle Ages
-Methodologies available for talking about trans and queer communities 
TITLE, ABSTRACT (200 WORDS) AND BIO (150 WORDS) BY 31 AUG TO:
Michael Eber michael.eber@uni-koeln.de
Hannah Victoria hjohnson@aup.edu
Oliver Wilkin o.lg-wilkin@outlook.com

Do you use digitized medieval manuscripts in any capacity? Do you have opinions about the metadata that describes them? We want to hear from you! Please take a moment to fill out our very short survey. Please repost and share with anyone you know who might be interested! forms.gle/sBPXAnoRhwe1...

Digitized Medieval Manuscripts: Metadata Preferences

A brief survey about what metadata formats people prefer to go along with their digitized medieval manuscripts. The results of this survey will be used to consider what metadata we make available thro...

forms.gle

Our members working in collections access at V&A have voted unanimously for strike action because they don't have time for toilet breaks or to drink water. All V&A members have separately also voted to strike over pay and conditions. Read more in the Guardian: www.theguardian.com/artanddesign...

Staff at newest V&A site in London vote overwhelmingly for strike action

V&A Storehouse dispute centres on toilet and hydration breaks as employees across V&A in London also vote to strike in wider action

theguardian.com

Excited and only slightly terrified to have this accepted manuscript available. The Heresy of Vector Embeddings: Early Modern Manuscript Verse and LLMs between Meaning, Form, and History | Computational Humanities Research | Cambridge Core - www.cambridge.org/core/journal...

The Heresy of Vector Embeddings: Early Modern Manuscript Verse and LLMs between Meaning, Form, and History | Computational Humanities Research | Cambridge Core

The Heresy of Vector Embeddings: Early Modern Manuscript Verse and LLMs between Meaning, Form, and History

cambridge.org

Teaching writing is a difficult and specific skill! I do not find it remotely intuitive and have treasured every piece of professional development I’ve gotten about it. I have been struck by how difficult it is to find any right now.

Nanjing Paleontological Museum has an in-house traditional Chinese artist, Li Chen, creating paintings of famous Chinese dinosaurs. These are from 2022 exhibition "From Dragon to Bird" and can be purchased in the museum as postcards or book《从龙到鸟系列 科学艺术化石复原图》

Anchiornis in traditional style Microraptor in traditional style

My dept is about to be reduced to 3 people covering 3 separate disciplines. The 25 PhD students will be left bereft of adequate supervision numerically and in terms of expertise. The government has decided that they should have no recourse (music to my university’s ears).

Margot Finn@eicathomefinn.bsky.social · 2w ago

'Read it on a substantial train delay – alongside the promises made to students when the Office for Students (OfS) was created – it is something much worse. It is the formal expiry of the deal that was supposed to make marketisation safe for the people paying for it.' 2/2

Oradea Pride has been banned today. The mayor says “public morality” is behind the decision. If you believe everyone has the right to gather and protest peacefully, sign our open letter calling on the European Commission to protect Pride and protect democracy. https://bit.ly/4pfQqcu

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🚨 Amazing #EarlyModern research degree opportunity: The University of Melbourne (Australia) is looking for a Ph.D Candidate who will work as part of an ARC-funded project on "The History of the Hourglass” (c. 1300-1600) ⏳ 🔗 More Info: shorturl.at/3NoNq #HistSTM

Histories of the Hourglass : Find an Expert : The University of Melbourne

<p> <span>Applications are invited for a PhD position as part of the Australian Research Council funded project The History of the Hourglass.</span> </p> <p> <span>This PhD research opportunity forms part of a project that undertakes the first history of the hourglass from its origins c.1300 through to its global circulation in the sixteenth century. The most precise time-measurement device of its era, the hourglass changed the course of history through its role in maritime travel, scientific experiments and everyday time management. It transformed time into a silent, interior flow crucial to a wide range of cultural projects: in Cairo classrooms or alchemical labs; in the cook’s kitchen or preacher’s pulpit. Alongside its critical intervention in the history of time, the project seeks to pioneer new scientific methods for analysing these fragile objects, with major benefits for their conservation in Australian and international collections.</span> </p> <p> <span>Applicants with the following background are particularly encouraged to apply:</span> </p> <ul> <li> <span>An undergraduate or master’s degree with a specialisation in medieval and/or early modern studies</span> </li> <li> <span>Proficiency in one or more languages other than English, with preference for German, Latin, French, Italian, Spanish or Portuguese</span> </li> <li>Awareness of current methods in the history of material and visual culture. </li> </ul> <p> <strong><span>Eligibility</span></strong> </p> <p> <span>Applicants must satisfy the minimum entry requirements for the Doctor of Philosophy-Arts at the University of Melbourne and demonstrate strong research ability and potential.</span> </p> <p> <span>Applicants will normally have completed a master’s degree or an Australian honours degree (or equivalent) that includes a thesis subject, with academic results equivalent to a University of Melbourne H1 standard. This generally means achieving at least 80% overall and 80% in the thesis or major research component.</span> <br> <br> <span>Applicants must review the Doctor of Philosophy (Arts) entry requirements before submitting an Expression of Interest.</span> </p> <p> <a href="https://handbook.unimelb.edu.au/courses/dr-philart/entry-participation-requirements" target="_blank" rel="noopener"><span>https://handbook.unimelb.edu.au/courses/dr-philart/entry-participation-requirements</span> </a> </p> <p> <strong><span>How to apply</span></strong> </p> <p> <span>Expressions of Interest close <strong>Monday 21 September at 1700 (Melbourne time).</strong></span> </p> <p> <span>To apply, click the <strong><em>‘Submit Expressions of Interest’</em></strong> button at the top or bottom of this advertisement.</span> </p> <p> <span>Upload the following three documents as part of your Expression of Interest:</span> </p> <ol> <li> <span><strong>Academic transcripts</strong> for all completed or in-progress tertiary study</span> </li> <li> <strong>A one-page project description</strong> outlining a proposed research project examining the history of the hourglass between 1300 and 1600CE </li> <li> <strong>A current resume.</strong> Applicants are encouraged to use the Faculty’s resume template [<a href="https://go.unimelb.edu.au/otz2">https://go.unimelb.edu.au/otz2</a>]. Before uploding, please append to the end of the resume <strong>a 500-word statement</strong> describing your intellectual interests in the history of temporalities and material culture. </li> </ol> <p> <em>Only shortlisted applicants will be contacted and invited to interview. </em><br> <br> <span>Applicants who are successful at the Expression of Interest stage will be invited to submit a formal application for admission to the Doctor of Philosophy- Arts. An invitation to submit a full application does not guarantee admission or the award of a scholarship.</span> </p> <p> <span>For further information about the application process, please visit the Faculty of Arts Graduate Research applications webpage.</span> </p> <p> <a href="https://arts.unimelb.edu.au/study/graduate-research" target="_blank" rel="noopener"><span>https://arts.unimelb.edu.au/study/graduate-research</span> </a> </p>

findanexpert.unimelb.edu.au