Drew McWeeny

@drewmcweeny.com

Caustically optimistic. Potty mouth. FILM NERD 2.0. Netflix's VOIR. MASTERS OF HORROR. '80s ALL OVER. FEAR ITSELF. I helped break the Internet. Sorry about that. Keto for life. Visit drewmcweeny.com for all my shit.

The new SCTV documentary on Netflix is a great primer if you've never watched the show and a really sweet reminder if you're a long-time fan. I found myself laughing incredibly hard at things I've seen a million times.

To the exasperated parent who just fished their child in a raccoon onesie out of my garbage can while telling them they had to stop diving into every can they see: you made my night 😂

New episode of THE HIP POCKET drops tomorrow with our very special guest, Frank Conniff! What does the man who had to screen all of the terrible films for MST3K pick when he's able to talk about great movies? Just you wait... it's so good.

I just recorded a new audio commentary for LIFEFORCE, and you'd better believe I spent a good chunk of it talking about what an absolute legendary badass Patrick Stewart was. Terrible, terrible news.

People trying to explain to me what the release of THE PHANTOM MENACE was like is fucking crazy. You really should know who you're talking to when you try correcting people.

"The consistent message spewed by the fascists, greased and propelled relentlessly by their collaborators in tech and media, is that nothing is sacred. In their version of reality everyone is out only for themselves, everything is up for sale or ripe to be stolen, and only power rules."

At one point in the Doors movie, Val Kilmer, in the role of Jim Morrison, reveals what is perhaps the unifying idea behind the band, the music, and the movie: "You wanna know what the people want?” he says. “I'll tell you what they want. They want something sacred."

The consistent message spewed by the fascists, greased and propelled relentlessly by their collaborators in tech and media, is that nothing is sacred. In their version of reality everyone is out only for themselves, everything is up for sale or ripe to be stolen, and only power rules. None of these things are true, but the bleating insistence that they are takes a toll.

The exhortation that nothing is sacred is what fuels fanaticism, nationalist mania, obsession with escape, shamelessness, worship of the self, and raw nihilism. These ghastly pastimes respond to the craving that afflicts so many in our time: a desperate need to be part of something, something with meaning outside of the consumerist culture disintegrating all around us, the crumbling walls of which are revealing the iron superstructure of militarized late-stage capitalism. The tech freaks, forward-thinking as they are, worked toward making this moment happen. They made plans and hedged bets. They bought land and politicians and built parallel institutions. They don't care if we hate them; scruples aren't part of the equation.

Ads during the 1996 World Series: awe look baby, the frogs are saying "Budweiser" Ads during the 2026 World Series: white genocide is threatening the master race

Happy pub day to STRANDED ON EARTH: HOW NIGHT SKIES BECAME E.T. THE EXTRA-TERRESTRIAL! My new book is out today (also canonically the day E.T. actually arrived on Earth in the movie), so please pick up a copy if you have not already! Thank you @1984prods.bsky.social for making this happen!!!

NEW: Remedy's latest game, Control Resonant, is filled with art galleries. The galleries are filled with real art When I began talking to Remedy about it, I was delighted to discover who the artists are: many are the game developers' parents My story... www.gamefile.news/p/control-re...

Who made the art inside Control Resonant?

When the developers of Control Resonant needed to fill their video game version of New York City with art galleries, they tapped the talents of people they knew particularly well

gamefile.news