Justin S. Harrison

@jseanharrison.bsky.social

Roving Media Critic, bylines @ justinsharrison.journoportfolio.com Profile Pic by Meredith Gran

This post has it backwards, IMO. The Criterion crowd doesn’t really need to be “introduced” to very famous genre work, and Criterion has showcased anime before. More exciting is the possibility that this will draw anime fans to Criterion and help introduce them to the wider world of film!

Tweet about NGE coming to the Criterion Channel: “Evangelion coming to the Criterion Channel rules. Exactly the kind of monumental work that Criterion’s reputation as a curator can break to new audiences. I would love to see Criterion do more with anime (although rights are brutal), but this is a great place to start!”

Spider-Man was fun! The MCU as a project has spent an extended period of time tripping over its own grandiosity, so it's good to see a movie that's actually interested in these characters -as characters-. Sink is quite good (O'Dessa was not her fault). Holland shines with Bernthal and Zendaya.

Say what you want about needless remakes. (No movie is necessary. Every film is technically unneeded.) The fact that Jordan is directing this himself is what’s exciting about it. Creed 3 was extremely stylish and MBJ applying his anime sensibilities to a suave heist story is really enticing.

Film Combat Syndicate@fcsyndicate.bsky.social · last wk.

THE THOMAS CROWN AFFAIR: Michael B. Jordan’s Reimagined Take On The Classic Heist Flick Gets A Trailer "Jordan directs, produces, and stars in a visually breathtaking, sensual, and unexpectedly moving heist thriller, where the most dangerous man in the room is the one nobody's watching."

THREE is really good and really overlooked, LIKE ALL MY BOOKS. By me, Kieron Gillen, Jordie Bellaire and Clayton Cowles. 2013 Softcover TPB still out there and available for purchase. Image Comics. Recommended.

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if any of you want to catch an early Sam Neill movie that is criminally underseen rather than watch one of his hits: Dead Calm. Nicole Kidman and Billy Zane kinda own the movie but Neill’s more subtle role/performance grounds their work in a terrific horror-thriller.

RIP Sam Neill. We talk a lot about Isabelle Adjani’s terrifying & layered powerhouse performance in POSSESSION. Neill is just as seismic. Made me never want to be put in a situation where i gotta get divorced. Whole thing really feels like watching someone kill it all over love.