Peter Reavill

@peterreavill.bsky.social

Landscape archaeologist, prehistorian, and small finds specialist. At home in the Bronze Age, but living in the deep Welsh Marches. HERO for Herefordshire Archaeology. All views my own Expert is Reavillnomicism

Just discovered that the ITV Drama YouTube channel are uploading episodes of Cadfael (they've done the same with Hornblower and Sharpe). Why yes, I will watch Derek Jacobi roaming around Shrewsbury in the middle of Stephen and Matilda's civil war.

I came to a sudden halt inside St Mary and St Barlok, Norbury. For a moment, I thought I’d caught someone slumbering in the summer heat. Turns out he’s been there for several hundred years - not a peep.

Bild

This painting by Stephen Bone captures the unconfined joy of a bonfire. I love it for its innocence; the child depicted is his son, Gavin Bone, who also became an artist and exhibited several times at the Royal Academy.

Bild

‘Chariots, Treasure and Power: Secrets of the Melsonby Hoard’ Fantastic Yorkshire Museum exhibition showcasing some of the 800+ artefacts from the UK’s largest Iron Age metalwork hoard! So many beautifully crafted bronze objects decorated with coral, glass, and enamel! Do visit! 📷 me #Archaeology

My photo collage shows various copper-alloy objects, now green with corrosion, from the Melsonby Iron Age Hoard on display at the Yorkshire Museum in York.

Top left: a copper-alloy bridle bit. The metal rod was placed in the ponies mouth and the rings at each end rested on the cheeks

Middle left: an ornate copper-alloy finial 

Bottom left: Decorative horse harness fitting

Top right: a view of the so-called ‘Block’. The block is made up of 88 individual artefacts which were threaded together, wrapped in fabric and then buried. Over time the objects have become fused together due to iron corrosion and appear as a large orangey-brown block of corroded metal. Objects in the block include horse harnesses, spearheads, wagon parts, and more! On the wall behind is exhibition signage reading ‘Chariots, Treasure and Power: Secrets of the Melsonby Hoard’ 

Middle right: Horse harness fitting embellished with coral bleached white by time, but once a vibrant red colour.

Bottom right: decorative stylised human face from a copper-alloy wine mixing bowl

A delicate Lammas dress from 1902 by Gustav Beer, richly decorated with silken wheat stalks, for drinking chouchen and telling fortunes in an old country garden, as a great golden moon rises in the dark Breton sky.

A delicate Lammas dress from 1902 A delicate Lammas dress from 1902 A couple embrace in a wheat field under a full moon.

As a curator of digital and physical data, as well as a creator of data this is so important and a much overlooked and utterly poorly funded. Making HERs statutory as intended by the inacted statutes of LURA would be a good and easy starting point

Cambridge University Press - Archaeology@cambup-archaeology.cambridge.org · last wk.

🆕 New #openaccess research in the #SAA journal @saa-aap.bsky.social highlights a growing digital curation crisis in #archaeology. Read the blog and associated article! 🔗 https://cup.org/4uRYbGY #digitalhumanities #datapreservation