Sarah Rees Brennan

@sarahreesbrennan.bsky.social

Writer of books, drinker of tears! Carnegie nominated, Locus and Nebula shortlisted. LONG LIVE EVIL, a portal fantasy in which the villains unionise, is my #1 Sunday Times & USA Today bestselling adult fantasy debut. She/her

Dudes are fine. And I for one thank Matt Dinniman as my Time of Iron books are being sold as readalikes and I am getting very nice emails from dudes! ‘I don’t see why everyone hates your main girl I think she has great tits and a great sense of humour’ one said memorably. Thank you sir I agree.

John Scalzi@scalzi.com · 19h ago

That said the #1 book on the NYT print/ebook list (and the USA Today list) this is week is from a dude, and the great publishing phenomenon of the last year is Matt Dinniman, who occupies multiple slots on multiple NYT lists, and let's not forget Andy Weir setting up camp either. Dudes are fine.

A panel I was on at the Celsius festival got an audience question along the lines of “there’s so much romantasy around now, what about the men?” and my response was basically “men can write romantasy.” It turns out this was not actually the issue, but still. Nobody’s stopping them!

John Scalzi@scalzi.com · 19h ago

Well, literature (as art and commerce) did a very good job expanding both who are writers and who are readers, and so dudes (especially straight white ones) compete in an industry where they are a market segment but not necessarily *the primary* market segment, and that fact freaks some of them out.

I have been quiet as I was in ze hospital. Never fun but never fear, I am on the mend! The tricky part is always when they take bloods. SARAH: apologies doctor. Nurse. My veins are shy like the woodland fawn. DR & NURSE: she is delirious? MY FRIEND: she always talks this way…

also obsessed with this and, as someone who just spent almost all of a "free day to write in" doing necessary errands and life admin, EQUALLY obsessed with the amount of books I could potentially write if I had the luxury of not doing my own groceries & cooking

Tansy Gardam@tansyg.bsky.social · 2w ago

obsessed with Ian Flemming's daily schedule - swim - brunch - write 1500 words no edits just freestyle - lobster hunting - pink gin - lunch - siesta - sit in garden - another swim - 500 more words - "a couple of powerful drinks" - dinner - scrabble with wife - sleep

anyway I basically think it's good and fine for scholars to do public writing about their area of expertise, and the public debate that ensues is also good and fine. everything working as intended here! yay for robust critical discourse!

Watched #theOdyssey & much enjoyed though I understood Emily Wilson’s criticisms. Love a story about stories! It pulled off what it was trying to do very successfully. Civilisation collapsing when we stop being kind to strangers resonates! The gods took much from you Odysseus, including your shirt.

I actually earnestly love that everyone's talking about The Odyssey & translations & adaptations & cinema, & talking about the ways in which we discuss those things; I love seeing thoughtful people thinking together in public, building on each other's knowledge & perspectives! however,

The only thing I will say about Odyssey discourse is that people who are insisting that things must be 100% faithful with no alterations are acting in service of white supremacy. They may not think that's what they are doing, but they are.

I think it's absolutely good & fine for people to disagree with the essay's points but it is baffling to see complaints like "Wilson doesn't get that an adaptation makes changes" or "Wilson doesn't get cinema" or "Wilson should be more polite & gracious," like come on friends what are we doing here!

It is extremely weird that we're looking at thoughts from one of the world's pre-eminent classicists about a story with nearly three millennia of history, on which she is a recognized expert, and going "I dunno if she's allowed to say that." I promise she is.

I am thinking about adaptation & what I call the Tey Rule. Josephine Tey said the below in Daughter of Time. Adaptations must change as they’re different mediums - but keep the core of characters and themes. ‘THIS character wouldn’t do THIS murder’ & if they do, we lose the suspension of disbelief.

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2. Adaptations can do whatever the creators want with the source material, and in many cases, the more they diverge from or push back against the original, the better. e.g. I love Wild Sargasso Sea (and I also love Jane Eyre).

regretfully attendance IS mandatory and failure to attend will result in the Consequences. Excited to visit Liverpool, my mama’s city, to chair @mytholder.bsky.social & @thomasdlee.bsky.social! #booksky

Gareth Hanrahan@mytholder.bsky.social · 3w ago

Liverpool & environs. I'm doing an event in Waterstones Liverpool on the 12th, again with Dr @thomasdlee.bsky.social , but also joined by @sarahreesbrennan.bsky.social Once again, attendance is mandatory. Thank you for your attention to this matter. www.waterstones.com/events/garet...

Me (bearded, with my book next too me), Tom (bearded, with his book next to him), Sarah (not bearded, but also with her book next to her).