alexis

@steppinlazer.bsky.social

no one skeets like gaston, reads bad tweets like gaston www.alexis.work 🐣 she/her

Please share far and wide. NYC’s Civics For All Comics Group’s Know Your Rights comic is available FREE digitally and has been translated into 14 languages. Also, for educators, there is a resource guide and lesson plan in the collection available here: www.weteachnyc.org/resources/co...

Alex Segura@alexsegura.com · 2d ago

We are seeing an increased ICE presence in NYC - making it imperative that NYers KNOW YOUR RIGHTS. I wrote a comic with @mayor.nyc.gov @nycimmigrants.bsky.social @davidhahn.bsky.social @elllewrightart.bsky.social @tayloresposito.bsky.social to do that! DOWNLOAD: www.weteachnyc.org/resources/co...

If we care about disability justice, one of the lowest-hanging fruits is masks in healthcare. It remains unacceptable that vulnerable patients must ask, sometimes beg, healthcare workers to mask, while also explaining to them why respirator masks are better

This is Loki, our Maine Coon and the cat of our hearts, and he went missing today. We have no idea how he got out, but he’s an elder, indoor cat, the whole region’s in an intense heat wave, and we’re really scared. I doubt I have any followers here in Martinez, CA, but if so, help? It’s SO hot

A Maine Coon cat lying on top of a messenger bag and assorted other items

ME: team rocket will never steal these rare Pokémon! Not unless they wanna take on me and my fully evolved Miss Cigarettes! MISS CIGARETTES: miss cigarettes

of course people aren't obligated to comment on every issue at all times. but I'll start to connect dots if, for example, a particular writer drops a very long takedown that skips this graf AND has a pattern of being a huge asshole whenever asked to boycott something they already wanted to review

chimera aunt@strangelittlevine.bsky.social · last wk.

this seems to be the ONLY part of Emily Wilson's Odyssey review that absolutely nobody in the big bluesky backlash feels like screenshotting

The most troubling ethical problem with Nolan’s Odyssey concerns the decision to film part of the movie in the occupied territory of Western Sahara, thus normalising the ongoing violence against the indigenous Sahrawi people. It is particularly galling that Nolan used this land simply as a visually striking backdrop for a film that centres, aggrandises and redeems the hero of a territorial war on account of his belated and partial acknowledgment of his own guilt.