Tony Canepa

@thetonycanepa.bsky.social

Freelance Illustration | Design | Branding | Objects Portfolio: tonycanepa.com linktr.ee/thetonycanepa for social media, interviews and other links

David Low in 1940 on how autocrats loathe being belittled. Low’s anti-fascist cartoons had previously inspired the Third Reich to complain to the British government about them & his name was in the Nazi’s Black Book, which listed the people to be executed once the United Kingdom was conquered.

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Maurice Noble was THE cartoon background designer. I love how much he was able to fuck around around and get so abstractly graphic, yet no one in the audience ever batted an eye because his designs lent so much personality and energy to the cartoons they were used in.

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Animation Obsessive@ani-obsessive.bsky.social · last wk.

What's Opera, Doc? looks fantastic. Chuck Jones credited that to his artist Maurice Noble. Noble experimented with this cartoon and took big risks. "You will never do anything interesting if you don’t take chances," he argued. We explore what he did: animationobsessive.substack.com/p/why-whats-...

I remember Peel saying about his show that out of every 10 songs he played there should be two you love and two that you hate. That was the most amazing thing it, there was always something that surprised you and made you want to explore further.

Skot Armstrong@skot.bsky.social · 3y ago

"At the heart of anything good there should be a kernel of something undefinable, and if you can define it, or claim to be able to define it, then, in a sense, you’ve missed the point." -John Peel B.O.T.D.

I had no idea that the phrase “Back to the old drawing board” comes from this Peter Arno cartoon from March 1st 1941’s New Yorker. It’s rather splendid to be able to date the birth of what would become part of everyday speech with such precision.

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photographic lighting and perspective is one way to make things look "realistic"; specificity is another (usually far more interesting way), and few people ever drew more specific stuff in a comic than Franquin. not a single "vague shoe shape" here

self-medicating with low doses of franquin, as one does

It's way past time that mentioning the artist when promoting books, physical media, film posters etc. should be the norm. With slop everywhere, let ppl know you hired an artist! This is good marketing, you look good because of it. Which is why it feels suspicious when ppl don't do this

Here’s my latest felt “grisaille” stone god. This is the fourth and hopefully I can find somewhere to show them when they are all complete or I’ll just have to exhibit them all in my garage. This guy is over a metre tall and hand sewn in felt.

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I'll make a real process post at some point, but for now sharing a little BTS of our optical glass matte shot. Teenage Sex and Death at Camp Miasma's theatrical release is this week, next week for some. See you at the movies!