Amba Azaad

@ambaazaad.bsky.social

Also @Amba.Azaad@mastodon.social

'Swimming in the noise', Gaurav's proposed film, is set in Mumbai and South Maharashtra, where threatened Indian Ocean humpback dolphins and Indo-Pacific finless porpoises survive in increasingly polluted, noisy and shrinking coastal habitats.

The government of India let the last Israeli war criminal the Foundation pointed out to them walk, they'll let this one walk too. The regime supports Israel wholeheartedly, one genocidal fascist ethnostate to another.

Scroll@scroll.in · 6d ago

The Hind Rajab Foundation did not identify the soldier. It said that the soldier “may have been involved” in war crimes, crimes against humanity and acts of genocide. Read more: scroll.in/latest/10951... #IsraelGazaconflict

Israel created a think tank called the “Hanover Institute for Public Policy” to influence chatbots to shape the discourse according to Israeli propaganda. In just over a week, the Hanover Institute has published at least 100 reports on issues of Palestine. responsiblestatecraft.org/israel-influ...

Israel creates fake think tank in likely attempt to dupe AI chatbots

In just over a week, the Hanover Institute has published at least 100 articles that appear tailor-made to influence chatbots

responsiblestatecraft.org

'The police took away two of Ravi’s phones, his son’s laptop, and the laptop and iPad of a colleague who happened to be at home and is not an accused in the case. The cops had a judicial magistrate’s order. Refused to give hash value of the devices' While Adani gets off US charges w/ a $10bn bribe.

Indrapramit Das@indrapramitdas.bsky.social · last wk.

'Gujarat cops (accompanied by Delhi police) came to journalist Ravi Nair’s home over a story he did with The Washington Post on Adani. An FIR has been lodged against Ravi, but not The Washington Post, based on a complaint by an Adani Group staffer.'

Who was on trial? India’s leading women wrestlers or #BrijBhushanSharanSingh? The wrestlers fought for an FIR, protested on the streets, testified in court & relived their trauma under cross-examination. Yet it often seemed as though they were in the dock Subscribe to read: article-14.com

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Every couple of weeks I poke my head back onto bluesky, try to catch up with people, am hit with a solid wall of US-related reposts, and then go away again. Sometimes I go over to twitter just to try to catch up with India discourse, but there I'm just hit by bots. I really miss Indian social media.

I've been doing a new project w/a grad student collaborator & we got interested in Tagore's short stories. (Alongside everything else, he was a world-class short story writer!) We made a collection of them; it's the largest set currently online (I think): scalar.lehigh.edu/literature-o...

Literature of Colonial South Asia: Short Stories by Rabindranath Tagore: A Collection

A Collection of Short Stories by Rabindranath Tagore in English Translation

scalar.lehigh.edu

From Goa’s trance scene to festivals near Gaza, this essay examines how Israeli rave culture has borrowed Hindu imagery and Indian spaces while offering escape from occupation. A provocative look at culture, denial and the politics of looking away. www.currentaffairs.org/news/israels...

Israel’s Rave Music Drowns Out the Sound of its Victims

For decades, a combination of EDM and drug culture have helped to numb the horror of occupation, apartheid, and genocide.

currentaffairs.org

Films advancing majoritarian politics, historical distortions & govt narratives are repeatedly rewarded at the National Film Awards these days. Latest example: 3 awards to the propaganda film Article 370 announced this month, writes Anna M M Vetticad article-14.com/post/how-the...

How The National Film Awards Became A Showcase For The Modi Era’s Favourite Narratives

The honours for Article 370, a Hindi film aligned with the Hindutva project, are the latest evidence of a decline years in the making: an awards system willing to recognise propaganda, historical dist...

article-14.com

Hello #IndiaSky. I’m trying to find out whether public parks around India close in the afternoons. (In the Mumbai Metropolitan Region, they close between 11 a.m. and 5 p.m.) What is it like in your town?

english isn't for cowards. if you're not saying 'torpify,' that's a skill issue. there's no Académie Française telling you what to do. if you try to type 'pallific' and freak out when you see a little red underline, maybe you're not ready to roll with the big dogs.

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A superb queer zine - highly recommended for anyone interested in queer studies and oppression. Across the Nala: A Queer Dalit Bahujan Zine of Stories from Delhi. I was lucky enough to receive it from Dr Dhiren Borisa!

Across the Nala : A queer Dalit Bahujan zine of stories from Delhi. Cover.Across the Nala
A Queer Dalit Bahujan Zine of Stories from Delhi
PRINCIPAL INVESTIGATOR
Dr. Dhiren Borisa
Associate Professor, O.P. Jindal Global University, India
ILLUSTRATOR
Rishabh Arora
COLLABORATORS
Dhrubo Jyoti
Prateek Draik
Project Mukti
FUNDING SUPPORT
Urban Studies Foundation
Knowledge Mobilisation Award
Urban Studies
FOUNDATIONIllustration of where is home when queer event happen in areas of affluenceIn the shadows and shimmer of Delhis streets, our stories-Dalit, Bahujan, Queer-rise not for permission, but as a declaration: we were always here, desiring, dreaming, and daring to belong.
IN COLLABORATION WITH
Urban Studies Foundation
Knowledge Mobilisation Award

Few things fill me with as much white hot jealousy as hearing people talking behind someone's back about how worried they are about that someone and how to help them. Some people are so loved and cared for.

Bit disappointed that Arunava Sinha doesn't treat the main point of genAI writing as being plagiarism. "Is the machine creative" is a question also asked of the mechanised loom.

Scroll@scroll.in · 3mo ago

If winning entries are partly or wholly AI-authored, then it's clearly perceived as being good, & even better than, many of the human-authored entries. scroll.in/article/1093... So, should literature now be judged on the quality of the work, irrespective of how it was produced? By Arunava Sinha