Bowiesongs (C. O'Leary)

@bowiesongs.bsky.social

Books (Rebel Rebel; Ashes to Ashes), blogs (64 Quartets; Pushing Ahead of the Dame; Locust St.)

there's something comforting & Old Hollywood about this ridiculous story. you can imagine Louis B. Mayer squinting at a press release. "what the hell is the..'Peasants' Revolt of 1381'? Can this be a Robin Hood picture? look, we can sell a Robin Hood picture" www.theguardian.com/film/2026/au...

Marketing meltdown: why has Andrew Garfield’s new film suddenly added Robin Hood?

Paul Greengrass drama The Uprising was supposed to be a historical epic about the Peasants’ Revolt of 1381 – but a strange new campaign has inserted a surprising figure

theguardian.com

also keep thinking about 1946 being the start of the baby boom, too: all these very different children growing up in a world that felt irrevocably changed from the one their parents had grown up in. they had to forge their own identities, choose their own models, escape however they could. or not.

J Bogart@jonathanbogart.net · 3d ago

people up and down the timeline hoping all the 80-year-old camp icons we love and revere are safe, meanwhile there's an 80-year-old camp icon we all hate and hope is taken instead. camp is a neutral descriptor. artifice is artifice whether wielded for good or evil, and it can be wielded for either.

My Pop Con paper about Tim Curry's pop music career. I said a lot of what I had to say about him here. A witty man, a great friend--especially to Holland Taylor and Annie Potts--and an enigma who supported his many LGBTQ fans, but kept his private life private, even in his memoir. Rest well, icon.

"I Do the Rock": A Stimulating Study of the Song That Defined Tim Curry's Pop Career

Here is the text of the paper (and a portion of the slide show) I presented at the Pop Conference on April 23, 2022. Full title:  "I Do ...

siffblog2.blogspot.com

my Tim Curry story, which I think i've told a few times. I interviewed him when I was in college--he was starring in "Three Musketeers." Asked him something like how did he approach a villain role & he said he liked to give directors 3 options: "standard," "over-the-top" and "top over-the-top"

"What Would Dolly Do?" doesn't work any other way. Walter Chaw wrote upon her passing that Olivia Newton-John's "brand was kindness," a spot-on assessment of her unique place in the culture. Similarly, Dolly's brand was generosity. She chose to be The Greater Good itself. That's what we've lost.

Power-listening to Dolly Parton this afternoon, I'm kind of struck by a weird resemblance to Eddie Van Halen, in that both had kind of astonishing musician's-musician sensibilities buried deep within outsized, very commercially succesful personas