🎥 Kathy 📼 Fennessy 📽️

@kcfennessy.bsky.social

Music and film writer. Northwest Film Forum board member and former Seattle Film Critics Society president. Unions: SAG-AFTRA and IBEW. Past/present contributor: KCMU/KEXP, KUOW, Rock and Roll Globe, Seattle Film Blog, The Stranger, and Video Librarian.

Day 15: pioneering cineastas Repeat: Argentine Hugo Fregonese was the first Latino to direct Hollywood feature films in English, like 1954 noir BLACK TUESDAY. New: José Cuauhtémoc "Bill" Melendez was the first Latino animator to direct for TV & film, such as 1969 classic A BOY NAMED CHARLIE BROWN.

BLACK TUESDAY (1954) is a stylish prison-break film noir directed by Hugo Fregonese, an Argentine director whose success making films in his home country led him to Hollywood, where he became the first person from anywhere outside the US, Canada, Australia, New Zealand or Europe to direct a studio film. If selected, this would be the first Fregonese film in the National Film Registry. It would also be the first for the film's female lead, Jean Parker.

Image description: A black-and-white screen capture from the 1954 film noir BLACK TUESDAY, capturing the characters gathered in a dimly lit warehouse hideout with exposed brick walls. On the left, Jean Parker, sporting a retro blonde updo and a light-colored blouse with a knotted front, stands behind a table looking downward. In the center, Edward G. Robinson leans forward in a dark suit jacket, extending his hand across the table toward Milburn Stone, who is seated on the foreground right and seen in profile. In the background, Peter Graves bends over a chair. A metal pitcher, glasses, and loose papers rest on the table in the foreground.A BOY NAMED CHARLIE BROWN (1969) was the first animated adaptation from Charles Schultz's Peanuts cartoon strips that was made for theatrical distribution. None of the voice cast or creators of this film has National Film Registry representation, except for director Bill Melendez, who had worked as a character animator on 1950's GERALD MCBOING-BOING (NFR selection 1995). No film he directed is in the Registry.

Image description: A screen shot from A BOY NAMED CHARLIE BROWN showing spelling bee contestants' disembodied heads against a flat, solid dark brown background. Rather than a realistic spelling bee stage, the frame isolates nine floating heads and shoulders of children clad in formal dress collars and ties, most with anxious expressions. Charlie Brown is placed at the bottom center with a downcast expression, surrounded on three sides by eight unnamed contestants whose visual styles mirror the iconic Peanuts comic strip designs (one looks almost exactly like Schroeder, but isn't he.)

In other Michigan news, the state looks set to elect it's first transgender lawmaker. Joanna Whaley won her Democratic primary and will compete in November for a state house seat, beating a primary opponent who tried and failed to disqualify her for not running under her deadname

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Talarico: "Texans aren’t going to stop smoking weed and eating edibles because politicians in Austin say so. Texans will still use THC — but instead of getting it safely from a local small business, they’ll go back to getting it from the black market. From the drug cartels."

I was moved to read Samantha Morton talk about getting fired from the Spike Jonze movie Her in this piece. She was on the set when I was there reporting a story--her work as the voice was done live, and her commitment to what she was doing on the film was extraordinary. deadline.com/2026/08/sama...

Samantha Morton On Why She "Hasn't Worked For A Year" Since 'The Odyssey' & Why She Was "Sad" & "Hurt" After Getting "Fired" From 'Her'

Samantha Morton is opening up about not working after filming Christopher Nolan's The Odyssey.

deadline.com

I really hope that all of the people in my feeds who rail against gen-AI flyer art (and rightfully so) and are also horror fans, don’t fall prey to Ice Cream Man now that the reviews are pointing to its abundance of AI effects. Don’t be a contradiction, speak with your wallets here.

This piece by Jeff Yang (aka @originalsp.in) was so satisfying to edit. It covers different aspects of The Odyssey and contextualizes them as examples of political filmmaking through allegory—the tale of a 21st century empire reeling from karmic blowback. www.rogerebert.com/features/the...

The People from the Sea: How "The Odyssey" is About America

A reading of Christopher Nolan's blockbuster as a commentary on the current state of America.

rogerebert.com

Why in the green fuck did the NYTimes give an oligarch’s failson an op-ed to write propaganda & falsehoods justifying how he’s massacred CBS News?? At least the WaPo had to be bought out by Bezos before they became a mouthpiece for this kind of bullshit. deadline.com/2026/08/davi...

David Ellison Says CNN Is Root Cause Of Paramount-WBD Merger Battle

In a NYT essay, Paramount CEO David Ellison argued that CNN is at the root of opposition to the company's merger with Warner Bros Discovery.

deadline.com

Harvey & Joyce's adopted daughter Danielle is trying to raise funds to deal with Pekar's raw archive; basically four storage lockers full of notes, outlines, ideas, etc. Note this is not Pekar's comics per se. Those rights have been tied up in court for years. Long, ugly story. Worth backing.

His Name was Harvey Pekar

Saving the legacy of Harvey Pekar:Urgent mission to rescue four full storage units of American Splendor history before its lost forever

kickstarter.com