Hershel Deercliff

@deercliff.itch.io

queer trans (anti-zionist) jew / webcomic creator / it/its- ze/hir - he/him / https://www.patreon.com/deercliff

I guess it's kind of hard to view the dismissal of one grublike phrenologist as a major hit to free speech after major American universities have in the past year banned the use of words and eliminated entire departments in the hopes of pleasing the senile president

"If trans people want a boycott of The New York Times, where's the call to do so?" Here is a declaration laying out how the NYT is a key driver of trans genocide, why boycotts work and why anyone who gives a damn about trans lives and rights must boycott The New York Times.

Boycott The New York Times

For years The New York Times has relentlessly pushed anti-trans propaganda, playing a significant role in the escalating genocide against us. It's far past time for a call to action: anyone who cares ...

transnews.network

this seems really hard for some people to understand, but the nature of having politics or even moral beliefs at all is that i agree with some beliefs and don't agree with others. and it's not arbitrary, like rooting for a sports team. the differences are important.

Dmitry Grozoubinski@explaintrade.com · last wk.

The guy who opened fire at Comet Pizza because he'd cooked his brain online and believed they were a child sex trafficking hub was exactly as confident the people he was aiming at deserved it as Luigi Mangione, which is just one reason it's a bad idea to lionise vigilante murder.

hello bluesky.I told my mother I liked Clive Barker's writing even tho she does not and she was like I'll give him another try (got her into SGJ this way) but some wires crossed and she remember it as me liking DEAN KOONTZ and she tried to read a DEAN KOONTZ and she told her blog i like DEAN KOONTZ

been chewing this one over cause I think it's right, for a certain kind of quality, but--and I'm just gonna be an unbridled hater here--a lot of popular webtoons strike me as basically comics illiterate, totally uninterested in comics as a form rather than as a vehicle for rapid narrative conveyance

Krispy @Fanexpo AP16@feathernotes.bsky.social · 2w ago

So let's talk about what those expectations are now: 🔴Demand for Higher quality- less readers will check out beginner looking works or comics that feel too 'faulty' in style meaning less excitement to see webcomics grow over the years. Polish is expected and commented on consistently by readers

out it goes: my long post about Rachel Hope Cleves's claim that Tillie Walden plagiarised her book. It's long because Cleves's claim is much, much more bizarre than it looked on first reading. I'm not going to bury the lede here. Cleves's claim does not hold up. buttondown.com/thene/archiv...

stick a pin in this metaphor

…because these covers are a microcosm of the entire conflict; Walden's book is mostly built on writing and other objects left by Sylvia Drake, Charity Bryant, and others. Her work includes many elements from these records that Cleves does not refer to in her book, and many of her interpretations of those records are different from Cleves's interpretations, often intentionally so. In addition to her historical basis, Walden's book includes fictional dialogue and story elements that are original to her work, some of which are inspired by Walden's own life.
thene@thene.bsky.social · 3w ago

i am working on a very, very long blog post that could really have fit into a skeet: When someone posts that "this website/journal article/etc proves my dramatic claim!!!" and then does not link to the website, journal article, etc, it is because it does not in fact prove their dramatic claim.

I'm going to spoil the Final Weirdness because I don't expect anyone to read that far. I wasn't sure I should put this in the post at first, but every friend I mentioned it to put their jaw on the floor; Cleves, who is trying to torpedo a lesbian artist's career, is married to a tech VP guy.

Several commenters were annoyed by the focus on Walden's personal life, and pushed back to say that, well, wasn’t Cleves a queer person too? D&Q weren't directly arguing that Walden, a married lesbian in Vermont, had a particular identity-based right to tell this story that wasn't shared by the tenured Canadian, but they also weren't not arguing that.

It wasn't until I’d read both books cover-to-cover that I got a hunch as to why D&Q tossed out all these personal identity comments. Walden's book is suffused with elements drawn from her own life in Vermont with her family. She dedicates her book to her wife, Emma. In the afterword, she calls Emma "the Charity to my Sylvia."

Cleves, at the end of her book, gives a crowning acknowledgement to her husband, Timothy Cleves. She says "His excellence as a husband is a great argument for why marriage should be an equal right for all people."

I'm nosy, so I found his LinkedIn. There's a 'Timothy Cleves' profile with a location in the same town where Cleves works as an academic. He is the VP of Business Development at a communications tech company. Perhaps this is why D&Q leaned into both Walden's lesbian identity and her status as a family breadwinner living on a marginal and unpredictable income.

When I mentioned this to a friend, they reminded me that Cleves had tagged her original callout post with #pride.

The advice "Don't make your first project a overambitious sprawling epic" is good. The problem is that I don't think people can really learn that lesson before they ignore the advice and just do it anyways. Sometimes you have to throw the baby into the pool to teach it how to swim.

what's your fav compliment a complete stranger has given you? mine is I was walking home from the grocery store while wearing my neon green pants and an old lady stopped me and said "where'd you get those pants young man? you look damn good in them. you look DAMN good in them."