Amina Memory

@aminamemorycain.bsky.social

Writer. Los Angeles. Thinking about books & art and aesthetic & transcendent experience. aminacain.com

“In fact, the lamp-lighted table is a little world in itself, and a dreamer-philosopher may well fear lest our indirect lighting cause us to lose the center of the evening room.” (Bachelard, The Poetics of Space) Dorelia by Lamplight at Toulouse, Gwen John, 1903-4 (Private collection)

A painting by Gwen John, showing a young woman seated at a table, looking down at an open book in front of her. Her face is strongly lit, throwing shadows onto the dark wall behind her. A narrow window shows dusk outside.

For the new issue of the quite wonderful journal draught (made at the School of Arts and Humanities at the Royal College of Art), I wrote about not being able to write a short story. Thank you to @jeremymillar.bsky.social and the other editors there! www.draughtjournal.com/article/a-ri...

A Ritual for Not Writing a Short Story

<p>I don’t usually follow one – a ritual for writing – but something must have been different that month of May. I’d finished revisions on my novel an

draughtjournal.com

Dorothy PUB DAY only comes once a year. And it's here! 🎉 Happy pub day to BLUE SUNSET by Denise Rose Hansen and WHAT REMAINS by Brais Lamela (translated from the Galician by Jacob Rogers)! We're honored to be publishing these two beautiful and brilliant debut novels.

Dorothy's editor holding our 2026 books on a sunny day: BLUE SUNSET by Denise Rose Hansen and WHAT REMAINS by Brais Lamela (translated from the Galician by Jacob Rogers)

I got up before sunrise to go 18 miles on foot to reach the dam nine miles north of my house, out under the freeway and into the desert. Sun and wind and rocky plains where there used to be a river, egrets hunting the shallow green pools amid the stones. Thinking hard about the future of water.

Bild

“I’ve hardly come across such a deep and candid work about friendship—and friendship ending—than Mattilda Bernstein Sycamore’s SOCIAL DISTANCING. A reflection on pain, aloneness, & the pandemic, but also touch, attachment, and community. While reading it, I felt close to this book." —Amina Cain🌺

Deeply honored to have been able to write about the first three films by French filmmaker Leos Carax for the Criterion Collection. His movies were important to me when I was younger, and they are important to me still. www.criterion.com/current/post...

Three Films by Leos Carax: Vital Signs

With their mix of comedy, ecstasy, and aesthetic strangeness, the French auteur’s first three features grant us access to psychic states that we might not otherwise be able to enter.

criterion.com

New from me: Why is Communion so WEIRD? Why does the second half feel like a different book? Why does it get Catholicism 101 wrong? What’s with all the non sequiturs about spies and why did Ross Douthat quote a literal Nazi in the NYT last week? Well, Vance thinks we’re too stupid to ask…

J. D. Vance’s Straussian Moment | Los Angeles Review of Books

The US vice president wrote his new book without citing his source—Peter Thiel.

lareviewofbooks.org

Hello! 👋 I'm hoping to raise money for two Bay Area cat rescues. If you post a screenshot of you donating at least $20, I will answer a style-related question for you. But first, let me tell you about the rescues, why they're worthy of your support, and hopefully get you to adopt a cat. 🧵

Two gray cats. One has their pawn on a person's knee. Two cats sleeping next to each other.