Karl Burke

@karlburke.bsky.social

Artist. Painter. Interested in the military-industrial complex, mass surveillance and manipulation, climate change, geopolitics, history, human cognition, social behaviour. Dublin/Paris. http://www.karlburke.com

Mark Zuckerberg tells investors that his AI push is a huge success. But when it files its taxes, Meta tells the IRS its giant data centers are an experiment that might fail. Why? Because calling them an experiment lets Meta claim a tax credit meant for real research.

A while back I learned something mindblowing about the geological history of the Mediterranean Sea, and I just can't get it out of my head. Now I'm going to make it *your* problem too. Sorry. Hang onto your hat. This is wild. 1/

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Bon matin avec le cratère du Sirente,Abruzzes,Italie. Surnommé "l'œil de la Terre ",c'est ce petit plan d'eau saisonnier qui se trouve au cœur de la plaine karstique des Prati del Sirente, au pied du mont Sirente. photo:Valeria Castiello / 2026 Prix international du photographe aérien de l'année

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🇺🇸🇪🇸🇫🇷🇮🇹 CIA warns of Russia preparing drone attacks against Spain, France or Italy, — El Mundo. The relevant US intelligence has been passed on to European governments. Gerbera drones are planned to be launched from ships disguised as merchant vessels.

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New: OpenAI has thousands of contractors improving its AI, including reading ChatGPT users' prompts We've found many of those contractors have been fired for themselves using AI to train the AI. People using AI "all the time and people are let go for it all the time" www.404media.co/people-train...

People Training OpenAI’s AI Fired for Using AI to Train the AI

OpenAI has thousands and thousands of contractors helping improve the company's AI models. Multiple contractors have been fired for using AI to train the AI.

404media.co

Le ministre de la culture, Miki Zohar, a réclamé que Yuval Abraham et Rachel Szor, les réalisateurs de "Naza", soient déchus de leur citoyenneté. Leur film décrit, témoignages de militaires à l’appui, comment des civils sont tués par l’armée israélienne dans l’enclave palestinienne.

En Israël, les réalisateurs de « Naza », le documentaire sur Gaza primé à la Mostra, accusés de « trahison »

Le ministre de la culture, Miki Zohar, a réclamé, dimanche soir, que Yuval Abraham et Rachel Szor soient déchus de leur citoyenneté. Leur film décrit, témoignages de militaires à l’appui, comment des ...

lemonde.fr

La Turquie commence à rafler les LGBT+. Arrestations massives à leur domicile, raids des bars LGBT+, blocage des sites et des réseaux sociaux des associations et militant.e.s LGBT+... L'opération lancée par Erdogan est baptisée "Ma famille est en sécurité".

Vaste coup de filet en Turquie contre des bars et associations LGBT +

Ces arrestations en série ont eu lieu dans le cadre d’un plan stratégique proclamé par Recep Tayyip Erdogan, pour contrer la baisse de la natalité et protéger l’institution familiale.

liberation.fr

Two minutes of men in suits coming in to a dull office and sitting down with their papers before Alleline says "Right. We shall start". Who could tell what a gripping story was to follow? Who would be bold enough to do that now?

archivetvmusings@archivetvmusings.bsky.social · last mo.

The first episode of Tinker Tailor Soldier Spy was originally broadcast on this day in 1979. This BBC2 screening was swiftly followed by a two part omnibus repeat on BBC1 during Christmas 1979.

Just a normal camera, if “normal” means: 🔭 A 3.2-billion-pixel sensor 🌌 A field of view that could fit ~45 full Moons ⏱️ A new 8-gigabyte image every ~40 seconds NSF–DOE Rubin Observatory's LSST Camera is the largest ever built (thanks SLAC!). Ok, maybe that's not normal. 🔭🧪

Technician in cleanroom suit inspecting a large, cylindrical camera barrel inside a clean room.Close-up of a Romanesco broccoli head showing its intricate fractal pattern in black and white. The mosaic grid of LSST Camera's ~200 individual CCDs is visible as vertical and horizontal black lines.Workers in safety gear guide the car-sized LSST Camera suspended by green straps inside Rubin's large maintenance hall.Close-up view of the huge LSST Camera installed at the center of Rubin's 8.4-meter telescope, with metal scaffolding on either side.

Coiled in a terrifying S-curve of raw kinetic power, a crouching tiger rends its bloody prey in this explosive 1861 woodblock print (nishiki-e) by the iconoclastic master Kawanabe Kyōsai (1831–1889).

Titled Shōshiki Mōko Shasei-zu ("True Picture of a Fierce Tiger Drawn from Life"), the composition breaks radically from the static, idealized tiger depictions of traditional Japanese art. Kyōsai renders the beast with visceral anatomical mass—its sinewy back arched high, claws digging into the ground, and wide, luminous yellow eyes locked in a fierce, feral glare. Intensely black, rhythmic stripes ripple across its tawny hide, while its long, banded tail sweeps upward, breaching the border of an unfurled blue scroll containing explanatory text by the celebrated gesaku satirist Kanagaki Robun (1829–1894). Behind the beast, a heavy dark grid evokes the iron bars of a traveling menagerie.

The historical genesis of the print lies in the Bakumatsu period’s sudden opening to the West. In 1860, a live tiger was brought to the treaty port of Yokohama by foreign traders—an exotic spectacle that captivated Edo’s public. While earlier painters like Maruyama Ōkyo or Kano masters had been forced to paint tigers from imported pelts, domestic cats, or Chinese ink scrolls, Kyōsai famously rushed to view the live animal, executing rapid life sketches (shasei). This direct observation allowed him to capture not merely the form of the tiger, but its terrifying vitality, predatory breath, and unbridled ferocity. Above the main scene, a red header banner incorporating pseudo-Western Romanized lettering reflects the nascent visual influence of Yokohama-e and Japan’s fascination with global exotica.

Aesthetically, the work represents a startling departure from tranquil classical sensibilities, leaning instead into sōbi—a sublime, awe-inspiring grandeur rooted in terrifying power. Kyōsai juxtaposes the graphic violence of the tearing flesh and crimson blood with immaculate printmaker's craft, achieving a dark, dramatic iki (stylish intensity) through bold contours and dense pigment.

this iconic advertising copywriter named Kathy Hepinstall Parks died over the weekend and I wanted to share something from her website I thought Bluesky would like

Why should I write better when a machine can do it for me?
Because actually no one can do it for you, because your voice is unique among all the people on earth. Siri never petted a horse's neck. Alexa has never been ghosted by the captain of the football team. But you have lived, your heart is beating, you have suffered, and you have something important to say. It's a human's job, to use words, and whatever job you give to a machine, that part of your brain goes dark. Maybe it's worth it when it comes to remembering phone numbers and directions, but when that part of your brain that uses words goes dark, that's a vast area that's very close to your soul. Don't let some internet platform convince you that what you have to say and create isn't worthwhile. Words are the echo of your soul. Honing that echo matters.