Melissa Tamminga

@oneaprilday.bsky.social

She/her. Programming Director at http://pickfordfilmcenter.org Posts my own. Formerly Film and English faculty at Whatcom Community College. Also on Letterboxd as oneaprilday. And on IG as mdtamminga

I’ve loved Sandy Frazier’s brilliant, hilarious @newyorker.com piece “Coyote vs. Acme” ever since it came out in 1990. And now I love the story of how it has now become a big summer movie coming out in two weeks—a story wonderfully told here by Steven Kurutz. www.nytimes.com/2026/08/14/s...

Ian Frazier Wrote ‘Coyote v. Acme’ in 1990. Now It’s a Movie. (Gift Article)

With “Coyote vs. Acme,” Ian Frazier, a soft-spoken reporter and humorist, has finally gone Hollywood.

nytimes.com

I cannot rest from discourse. I will see that film again tomorrow. I will drink life to the lees. Again I will enjoy greatly, will suffer greatly, both with those that love me, and in Pleasantville NY. I am become a meme. Film showing: burnsfilmcenter.org/booking/the-...

The Odyssey : Jacob Burns Film Center

The Odyssey, Matt Damon, Tom Holland, Christopher Nolan, Zendaya, Robert Pattinson, Odysseus, Greek, Classic, Antiquity

burnsfilmcenter.org

After several days of this discourse I’m ready to call the sexism red card. It is perfectly fine to think her argument is bad or she should have written a different genre, but way too many people are treating a translator with a PhD like she’s not smart enough to analyze a movie.

grace@gracemachine.bsky.social · last mo.

one of the threads about the Wilson-course that has especially rankled me in the suggestion that she should be grateful for how Nolan raised her profile.

“Without the nuances of Morton’s performance, the Circe scene as written by Nolan is rooted in men’s questionable fear of being accused of violence against women rather than the tragedy of how women navigate that very real threat to our lives.” My latest. www.vulture.com/article/circ...

The Odyssey’s Circe Is the Best Female Character Nolan Has Ever Written

Nolan’s never been great at writing women, but what doesn’t exist on the page Samantha Morton conjures through a tricksy, powerhouse performance.

vulture.com

Given how many professional film critics I know have a background in English/literature, which they draw on to often brilliantly analyze film texts, I find this take so strange and disappointing. That a scholar of literature has no more expertise than a plumber to analyze a film?

Mark Harris@markharris.bsky.social · last mo.

My take on today's Odyssey controversy is, with all respect to everyone involved, that plumbers generally shouldn't review movies about plumbing.

Twelve states' challenge to the Paramount-Warner Bros. merger is compact and simple: if one company controls 27% of all wide-release films & 34% of all cable channels (by viewership), it can bargain with distributors for better terms, which will filter down to higher consumer prices.

Challenge to Paramount–Warner Bros. Merger Focuses on Theaters, Basic Cable - The American Prospect

The lawsuit, filed by 12 states, makes the case that a merged studio will have more leverage to dictate terms to distributors, leading to higher prices for everyone.

prospect.org