Tessera
Folgen

Will Roget

@wilbertroget.bsky.social

[He/him] Music Composer - Gundam: Requiem for Vengeance, Star Wars: Outlaws, Helldivers 2, Pacific Drive, Mortal Kombat 1 & 11, Call of Duty: WWII, Star Wars: Vader Immortal

133 Posts2003 Follower172 Folgt
Will Roget@wilbertroget.bsky.social · 4w ago

PRODUCTION TIP: In Melodyne 5, remember you can easily add shortcuts for almost anything! File > Prefs > Shortcuts, click what you want, then just press whatever key you wanna register. I use Pitch, Drift and Note Separation more than anything, so I just set those to 1 2 3. EZPZ! #gamemusic

Screenshot of Melodyne 5 preferences --> Shortcuts window. This tip seems random but it seriously saved me half an hour of clicks in just one night!!
Jay Tholen@jaytholen.net · 2mo ago

RIP Bobby Prince. this 1993 clip of him explaining the Commander Keen menu music is amazing. worth a watch even if you don't give a rip about Keen. source link below.

Chris BØLT@bolttracks.bsky.social · 3mo ago

If you’ve got about 25 mins to spare this Thursday I’d be delighted to light up your synapses with some sick things that REAPER can do that will seriously level up your #gameaudio workflow! Join me for my talk at AirCon2026! #sounddesign #reaperdaw www.airwiggles.com/c/livestream...

My DAW Can Do What?! Rapid-Fire Reaper Radness | Airwiggles

We all know REAPER is incredibly capable, but there is so much more that lurks beneath the surface. From full-on video editing, to automating your workflows, to an onscreen pet that tracks how much ti...

airwiggles.com

Cassandra Dracott@cassieattanagra.bsky.social · 4mo ago

The work done by every part of the team on Pacific Drive is truly incredible. It was an absolute privilege to lead the team and the project and I figured it was time to put together a post for some of the visual direction. www.artstation.com/artwork/XJ5L1R

Pacific Drive Creative and Art Direction, Cassandra Dracott

Responsible for creative and art direction on Pacific Drive. Directly responsible for lighting and atmospherics, many foliage assets and shaders, and taking these official screenshots. Massive credit ...

artstation.com

Will Roget@wilbertroget.bsky.social · 4mo ago

PRODUCTION TIP: [photo] If I were to guess how often, when I turn on a synth, that I actually USE the result! Results *greatly* skewed bc some synths get way more attempts than others. But just to give an idea, if you're interested in hardware! Synth names & explanations in ALT text #gamemusic

90% = Moog SubPhatty. Great for bass drones, sub bass 65% = Arturia Minibrute 2S. Great for bass sequences, sequences, some perc loops too 40% = Arturia Microfreak. Bit of a shocker, but when I thought about it, I realized there's patches I've designed here that are indispensable and live rent-free in my imagination; I think of them as part of my palette just the same as I'd think of a trombone or oboe. Specifically, a synth low strings patch and a few blip arps 30% = Korg Minilogue. Artificially low % because this is the FIRST synth I always turn on when I want anything. It might even be my favorite really - but because I use it so much, the % is lower and the "time risk" is high. Still, this places it evenly with software synths in time risk and versatility. Amazing for arps and pads; not so great for bass stuff though, IMO 15% = Korg MS-20mini. Uh oh!! Hopefully not too offensive a score, but basically it's the biggest gamble of all. Aggressive, unruly, and inherently a bit "low fi" sound, but it's got more vibe and life than anything... Just ridiculously hard to predict or control. But when it hits, it WILL be a signature sound. Great for bass, drones, FX, and ultra vibey arps
Will Roget@wilbertroget.bsky.social · 4mo ago

Recently found folders of my earliest #gamemusic, and found "Control Monger", the first game I scored that actually released! Freeware multiplayer FPS from 2005, think Team Fortress with flying robots 😆 There was a revival event 8 years ago, so I made a vid with the footage & my menu theme! (1/3)

terrehbyte 🔍🚂@terrehbyte.com · 5mo ago

TIL there's a Seattle Game Audio group! www.seattlegameaudio.com

About | Seattle Game Audio

The Seattle Game Audio Group is a collaborative community of audio professionals, sound designers, composers, and enthusiasts passionate about the intersection of sound and gaming. Based in Seattle, a...

seattlegameaudio.com

DamianKastbauer@damiankastbauer.bsky.social · 5mo ago

World Wide Game Audio Groups Map Find a community or start your own, send me any updates or additions! www.google.com/maps/d/u/0/e...

Audiokinetic@audiokinetic.bsky.social · 5mo ago

GDC's just around the corner! 🗓️✨ We'll be back at the AMC Metreon with: 🎮 #Wwise developer presentations - Skywalker Sound, Cairn, Civ VII, haptics, and more! 📺 Private documentary screening 🎤 Karaoke! All FREE to attend - no GDC pass required! Make sure you RSVP: hubs.ly/Q044XHxh0 #GameAudioGDC

Audiokinetic at GDC 2026

This year, instead of Audiokinetic's usual spot on the GDC expo floor, we’re inviting you to join us at the AMC theatre!

hubs.ly

Aurélien Simon@aurelien-simon.bsky.social · 6mo ago

Dans Star Wars Outlaws, @wilbertroget.bsky.social a dissimulé, dans son thème de Lando Calrissian, le thème trompeusement joyeux de Bespin et le motif héroïque des rebelles. Une manière de dépeindre astucieusement la dualité de Lando entre faux semblant et résistance. La musique raconte qui il est.🎵

Will Roget@wilbertroget.bsky.social · 8mo ago

“Lando’s Redemption” from #StarWarsOutlaws DLC is my most melodically complex piece yet – referencing Williams’ Lando & Rebel motifs as well as @joneverist.bsky.social 's Rebel theme from Outlaws, to convey his suave veneer & grave sense of duty. Here's a #gamemusic analysis of the themes!