will pooley

@willpooley.bsky.social

historian of witchcrafts, tarot, folklore, France 18-20th century ed. Cambridge Elements in Magic also #CreativeHistories yes, that’s an actual photo of me. never had ebola. yet

I don't actually see any evidence of this? As far as I can tell most academics response to the Wilson piece (those who have seen it at all) was "huh, fair enough - I liked the film tho". I'm guessing this isn't registering because low key calm responses aren't flashy or memorable.

Robert Borden Stan Account@bordenstan.bsky.social · 21h ago

If the academy gets pulled into coming out swinging against the biggest adaptation of Homer in probably a couple generations off the back of one prominent scholar deciding to be Reviewer 2 to Nolan's work, it will say, IMO, pretty damning things about academia's ability to foster public engagement.

From my experience in former history dept that went from about 25 to 6, people went on to a mix, not all compulsory. Some to other universities, some late career into writing and researching + semi early retirement, some independent scholars. Those staying in unis, a good number now precarious.

does anyone know of any work that’s been done on career trajectories of (UK humanities) academics who have been made redundant? eg information about how many go into school teaching, early retirement, independent research? appreciate this is complex, sensitive and much data is too recent

This is simply wonderful news for the Migration Museum and its ongoing project to create the UK's first permanent museum exploring migration to and from the UK. The new Museum will be in the City of London, but is already working with collaborators outside London and outside England. 1/3

The Wolfson Foundation commits £600,000 to the UK’s ‘Missing Museum’

The Migration Museum is delighted to announce that The Wolfson Foundation has become a Founding Partner of the UK’s first permanent museum dedicated to exploring how the movement of people to and from...

migrationmuseum.org

"Detail is itself a kind of argument and thus, since beauty and elegance in writing derive from economy, a way of making a point without belabouring it." Hell yes. Great piece, it's going straight into the kit for advanced students and when doing writing training.

Royal Historical Society@royalhistsoc.org · 5d ago

"Details, in their singularity and idiosyncrasy, point to the capaciousness of human experience." New today in the Society's journal 'Transactions': Joe Moran 'On Detail in Historical Writing': bit.ly/44UMi8C Now available OA @joemoransblog.bsky.social @massobsarchive.bsky.social #Skystorians 1/2

Opening page of the Transactions article 'On Detail in Historical Writing' by Joe Moran. 

Full abstract: "This Comment considers the role of detail in historical writing, inflected through my own experience of writing ‘trade’ books for a general rather than specialist readership. I argue for the value of the detail that is slightly recalcitrant, that is more than just flesh on the bones of an argument or evidence marshalled to make a point. Detail is itself a kind of argument and thus, since beauty and elegance in writing derive from economy, a way of making a point without belabouring it. The gratuitous fact can be seductive, suggesting that the world has a randomness and overabundance that can't easily be rounded up into a dataset. Details, in their singularity and idiosyncrasy, point to the capaciousness of human experience. They correct our tendency to fixate on one story, to focus on the eventful at the expense of the marginal, and to invent a false unity of experience that erases social differences. With their obdurate specificity, they can shatter our presumptions about the past. I explore these ideas with reference to modern literature (Flaubert, Chekhov), the Mass-Observation archive and examples from my own work in contemporary cultural history and family history."

We've spent our lives, until very recently, reading predominantly human words, human sentences, human text, poetry. What is it doing to us now, emotionally, to have to wade through so much written material which simply isn't written by a person? If you're a big reader, love words, I think it hurts.

Dr Dave Hitchcock@davehitchcock.bsky.social · yesterday

"If it seems true, we keep reading", and that truth doesn't have to be literal, contained in the sentence itself, but I think it does have to be authorial. This explains to me in no small part why I struggle so hard to even read artificially generated text. To even get through a single sentence.

snap poll: is it worse when you get the feedback and it confirms the weaknesses you already worried about in your writing or when it says nothing about those but suggests ones you’d never thought about?

Creative & performing arts subjects received £16.8 million SPG 2024-25; £12.9 million in 2025-26; £ O million in 2026-27. The University of Creative Arts will thus lose half of its government funding this year; Art University Bournmouth 40.7%, Norwich U of Arts 40.4% and Leeds Arts U 30.3%. 1/2

Arts institutions hit hard as OfS details teaching grant cuts

University for the Creative Arts loses more than half of its funding after support for creative subjects reduced to zero

timeshighereducation.com

a messy post about a very sharp book. i think what I enjoyed most about Sam Knight’s Premonitions Bureau is that it doesn’t sacrifice the challenging ideas for mass appeal. it wraps them in his acute sense for a good story. wish i had half that talent williamgpooley.wordpress.com/2026/08/04/s...

Story Sense

Sam Knight’s Premonitions Bureau is one of those books that so many people recommended to me that I was beginning to dread reading it. Call it a foreboding. Which goes to show how powerful my…

williamgpooley.wordpress.com

It requires expertise to be able to say, “I do not know the answer to that question, and that is becauae thus far scholarly consensus is that we do not have the knowledge needed at this time to answer that question.” Sometimes “I don’t know” is a far more rigorous answer than people might think.

Today I discovered that a letter attributed to a man was actually written by Ann Bathurst, the 17th-century visionary woman I’m researching. 🤩 Archival work might be slow and painstaking but it’s totally thrilling to be going in search of lost voices from the past and finding them! 📚

Bild

In late 2023, the Society spent a day with Hertfordshire’s historians. We saw the quality, creativity and distinctiveness of teaching, research and engagement. We were told by a (now departed) senior manager that History was ‘a portfolio the university will guard very carefully’. bit.ly/4hLediN

Glen O'Hara@gsoh31.bsky.social · 3d ago

So it's farewell to the History subject area at the University of Hertfordshire, not the first nor the last to go. One of the best departments in the country, just extinguished like a snap of the fingers. Think of the waste. (1/2)

update from my summer side quest: how much of this diary is the guy’s dreams and how much is just his everyday life? yesterday i transcribed a page that seemed more like latter but involved his neighbors seeing him defecating. i have the experiential status of this incident tagged as “ambiguous”

will pooley@willpooley.bsky.social · 3w ago

altho the diary starts strong with a lot of dreams, much of it is (i think) more like a conventional diary, recording what he was doing each day otoh the events he describes sound a bit weird (a beggar suffocating him so he grabbed the beggar by his “chin beard”? something weird about cats?)

on academic publishing. im not the only person to have this thought, right? a few years ago given the choice of open access journal article or paywalled chapter i would *always* opt for OA but LLM scraping now gives me pause (1/3)

Gentle reminder for all that if you have books that are water damaged, crawling with bugs, physically broken, or giving you travel advice for a country that hasn’t existed since the 90s, you can safely throw them away, you don’t need to make them your local thrift store’s problem.