Evan Torner

@guyintheblackhat.bsky.social

Associate Professor of German, Niehoff Professor of Film & Media Studies at U of Cincinnati; Scholar of East German cinema, science fiction, and role-playing games. He/Him. Bi. Wears a hat.

After talking to a young writer last night, I want to remind you all that it's okay to write without an assignment or goal. Write to explore a new technique, get an idea out of your head, or as emotional exhalation. Write for the raw joy of it. For you alone. It doesn't need to go into a portfolio

You might read this and think it doesn't seem simple, but the difference is just experience. Read more ttrpgs, and more varied rpgs, and run your games. Time will teach you how to read a game and understand what the important parts are to you and, crucially, your players. AI robs you of this craft.

🌱Elaine Lithgow - Back The Children Of Time RPG! 🕷️@elainelithgow.bsky.social · yesterday

One of the best DnD campaigns I ever ran used one A4 sheet of paper for notes, the default GM screen, and a whiteboard plus some generic tokens for complex combat. It for three years and my group still say it's one of the best campaigns they've been a part of. It's really not that complicated!

To be clear: If “TTRPGs” in your scholarship, teaching, & outreach start & end with D&D — or even GMed games — that’s a skill issue you need to reconsider. You’re gonna get left behind.

Free demo game if you aren't sure what we're up to here. Give it a try and see if you can not wreck the universe.

Bully Pulpit Games@bullypulpithq.bsky.social · 19h ago

AND @jmstar.bsky.social said, "The Cortège hinges on epochal issues of order and rebellion and peace and freedom, all mutually exclusive, all disastrous in their own ways. Since I adore underdogs, Herin Nindahar is my favorite character." Demo for one of the #NineSpaceGames: bpglink.com/9SG-demo

This is a pretty good summary of why this stuff has zero appeal to anyone who actually enjoys making anything, and there will never be anything Ai companies can do about that. (Green absolutely torching his own credibility is just an astonishing unforced error. Write your own words!)

Mike Bithell@mikebithell.bsky.social · 10h ago

The specific focus in this video on the way these tools get under your skin and train you to depend on them is an aspect I personally find existentially terrifying. youtu.be/TtvICev9sBE?...

Another night of Russian terror against Ukraine:17 killed&44 injured in Kyiv&Kyiv region.A Nova Poshta branch was destroyed,along with two key Epicentr logistics complexes&a Rozetka logistics hub.People were killed on a railway platform near the attacked Ukrzaliznytsia logistics centers 📹Kyiv region

I fear we might see a new alignment between a radical right death cult and a rural revivalist "simplicity" drive, which views collapse and a return to "organic" communities as a solution to decadent urbanism. A century ago this convergence led to a very bad place. www.monbiot.com/2023/10/04/t...

The Cruel Fantasies of Well-Fed People

The astonishing story of how a movement’s quest for rural simplicity drifted into a formula for mass death

monbiot.com

It requires expertise to be able to say, “I do not know the answer to that question, and that is becauae thus far scholarly consensus is that we do not have the knowledge needed at this time to answer that question.” Sometimes “I don’t know” is a far more rigorous answer than people might think.

This tracks. Most of the faculty I know, even with degrees from the top programs in the humanities, can all kinda aspire to comparable career outlines. And that's thanks to both union faculty cultures of solidarity (and Jante) as well as the previous funding environment lying in ruins.

Rebecca Colesworthy@rcolesworthy.bsky.social · 2d ago

actually no I wouldn’t. we generally agree that if there was a star system it’s now gone for structural reasons—for better (solidarity! unions! collectives!) and worse (no material support). I balked when a UP editor was described as a starmaker in the NYer b/c I don’t think that’s how it works.

I’ve seen in two culture /higher ed magazines recently the claim that the printing press engendered a crisis of authority at universities bc anyone could publish what they wanted and people could learn things without universities. This is not true.

What made so many cultural centers of the past - interwar Paris, 70s NYC East Side, 90s Seattle - was that young artists could live and feed themselves on a pittance, leaving them time and energy to work on their art.

Monsterhearts got that treatment for so many years. Very popular, held back only by my lack of business acumen, constantly described as a niche title or an undiscovered gem. I think there's a knee-jerk assumption that girl-coded or queer-coded titles only appeal to a small and bounded audience.

This might be a bit of a hot take (and very much isn’t targeted at anyone to be super clear, just my general experiences over the last 8 months seeing people talk about my game) but I don’t think Girl Frame is niche or has a small audience, speaking as the person who has the sales numbers