Jan Mitsuko Cash

@jmitsu.bsky.social

Japanese-to-English manga and novel translator, editor, etc.

Bestselling (and one of my favorites...) mystery author Higashino Keigo has died at 68 from colon cancer. RIP, and thank you for the stories.

朝日新聞@asahi.com · last wk.

東野圭吾さん死去、読者に投げかけた最大の謎 「書きたいのは人間」 www.asahi.com/articles/ASV... 「容疑者Xの献身」が出た前年にインタビューをした際、作風の広がりについて問うと、こんな答えが返ってきた。 「ミステリーから離れたくない。でも書きたいのは人間。人の情念や本性からドラマが生まれるのだから」

I really hope the Shojo/Josei manga nominated at 2026 American Manga Awards get the attention they deserve🤞 ( @darkhorse.com credits roll into the sea, @nyrb-imprints.bsky.social Miss Ruki, @viz.com Cocoon, @yenpress.com fruits basket and @glacierbaybooks.com Horrors of Noroi Michiru) All are great!

@samoyedloverforev.bsky.social · 2mo ago

Shojosei like Miss Ruki, Cocoon, credits roll into the sea, horrors of Noroi Michiru, and fruits basket have been nominated for various awards

my take is that requiring editorial staff to commute to any high cost of living city is exacerbating poor working conditions across the industry

Our fourth licensing announcement from this week is: CROWS by HIROSHI TAKAHASHI 📖 February 2027 🗓️ Another licensing reveal is coming tomorrow, please stay tuned! 🏆 Our giveaway winners have been contacted, thank you for playing!

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Putting this out there: I want to work on more literary translations and children's books next year! 10+ years of experience 400+ books translated 1 Batchelder Award winner 1 Eisner nominee 5 American Manga Award nominees ...including 1 nominee for Best Translation

Would be so interested to see stuff like “Shirahata no Shojo” as well. Seems like it might hit hard for those who were moved by grave of the fireflies while also covering Okinawa‘s bombardment in the war

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...schedule out follow up projects further in advance. I'd have much less stress if I coule schedule out concretely what projects each publisher/agency will have me doing which months and not be overwhelmed one month and scrambling for work another.

I lettered this! Akari is stunning, and Kohinata's mark-making is unmatched. Such a love letter to art and the impact i can have on one's life and the bonds it can forge It's debuting at TCAF (coincidentally, I'll be there tabling too!), and I can't wait to hold it in my hands!

Glacier Bay Books@glacierbaybooks.com · 3mo ago

NEW TITLE - Akari by Marco Kohinata A quietly beautiful standalone story about mistaken identity, found family, and the profound power of art. Marco Kohinata’s warm, softly textured lines and shading subtly evoke the color and shape, the fullness and complexity of human emotion.

1. I'm definitely burnt out, having a real hard time forcing myself to do work nowadays. 2. I've been recently doing a lot of outside activities and slowly taking on less work, but that's much easier said than done. 3. Double the pay (at least) so I can work on less things and actually live.

1. Yes, very 2. l will probably never recover until I quit entirely and am a few years removed 3. I think every publisher should double their rates :) and for some even that would still be too low

1. Yes 2. N/A 3. Increase rates to at least match the minimum of other parts of the industry (for lettering, 15 USD per page instead of 3 USD or even less) so localizers don't need to overload on projects to make a living wage. Work for hire and rights handover must come with adequate compensation

1. I have been, but not right now. 2. Turn down projects (this is hard and a privilege if/when possible) 3. more money. I wanna see clients more competitive about rates. As a CE/PR a lot of my work comes from exhausted translators and letterers who can't afford to do their best work either

Since rates are often so low, I feel like people often take on more work than they can reasonably handle simply because the work is available and they need the money. With freelance work being the way it is, they have to plan ahead just in case the next project takes a while to come in.