Leah Pennywark

@lpennywark.bsky.social

Humanities Editor at the University of Minnesota Press. Avid reader. Disabled. She/her/hers.

"Kathryn J. Gindlesparger... [shows] how everyday documents such as meeting minutes, policy drafts, budgets, and accreditation reports can be used to push back against authoritarian and corporate forces that undermine an institution’s mission." (Echoes of Ben Kafka's The Demon of Paperwork 😈)

Paper Pusher

Paperwork is the new protest: leveraging bureaucracy for progressive actionIn contemporary higher education, power increasingly circulates through documents ...

upress.umn.edu

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File under: Books that feel written for me and my weird interests, specifically. Immediate pre-order.

Kyle Parry@kyleparry.bsky.social · 2mo ago

Preorder-able, $10 @uminnpress.bsky.social A book influenced by Ursula Le Guin's dark insights, eg "...I hope you will remember that darkness is your country, where you live, where no wars are fought and no wars are won, but where the future is. Our roots are in the dark; the earth is our country."

catalog entry for ways of seeing after dark; the book cover is followed by descriptive copy that reads: Rethinking darkness through the politics and possibilities of vision Darkness is widely misunderstood, argues Kyle Parry. We take darkness as the enemy of sight, yet we can’t see without it. We call the worst parts of our lives dark, yet we wouldn’t be here without wombs, skulls, oceans, the moon, and other shadowed places. Ways of Seeing After Dark contends that darkness is not absence but presence, shaping how worlds are sensed, inhabited, and understood. Darkness brings peril, but it is also a fundamental, if increasingly threatened, condition of living together on this planet. Tracing links between John Berger’s influential Ways of Seeing and his more poetic later writings, Parry recasts contemporary conditions defined by light pollution, digital mediation, and racialized regimes of seeing. In dialogue with artists, critics, and astronomers, Ways of Seeing After Dark examines how fear of darkness is built rather than universal and how such training intersects with broader social structures, including racism and capitalism. Showing how “felt darkness displaces physical darkness” and “brighter nights bring darker days,” Parry reveals the dark as a multifaceted phenomenon with political and perceptual significance, calling for new ways of seeing with the night.

my wife's book on a real and fascinating gender-nonconforming person in the gilded age is up for preorder! with high praise from the great @hughryan.bsky.social and Emily Skidmore. Lots of other good offerings by university of mn press as well. www.upress.umn.edu/978151791584...

Romantic Sensation

Exploring gender and sexuality in the Gilded Age through one sensationalized lifeAddie Liona Walker. Leon A. Belmont. Nova McClure Carr. Romantic Sensation t...

upress.umn.edu