Mandy Bemis

@mjbemis.bsky.social

Filmmaker, writer and actor. My newest short film, The Devil and the Ghost, is on Vimeo and YouTube. she/they

Every single piece of trans history is a blaring klaxon telling us: We can't rip ourselves apart, we must put our preternatural prickliness aside, we can and should disagree greatly but our futures are linked and the stakes are too great, we must figure that out no matter the emotions it raises.

He's a primary aesthetic influence of this trans new wave that we are seeing. These filmmakers are not copying him, but working alongside his aesthetic ideas in a spiritual manner (the fantasia of People's Joker, the Inland Empire-esque nightmare of CM2, Schoenbrun's dysphoric otherworlds)

Willow Catelyn Maclay@willowcatelyn.bsky.social · last mo.

A lot of Trans people like Lynch bc his films are situated in a strange liminal place of reality and an abstracted alternate reality and they phase between one another. The inbetweenness is welcoming & potentially synonymous to a quotidian low-humming dysphoria. A wrongness that many of us recognize

RIP Sam Neill. We talk a lot about Isabelle Adjani’s terrifying & layered powerhouse performance in POSSESSION. Neill is just as seismic. Made me never want to be put in a situation where i gotta get divorced. Whole thing really feels like watching someone kill it all over love.

marriage is really funny and fun i feel like if you have the opportunity to try it you should. also it’s one thing the queer theorists were absolutely right about and no matter how woke you are it’s gonna eat you alive with compulsory heterosexual narratives and it sucks shit

being a trans woman on a day to day basis really is wild,, it's like vacillating between "it's so over, i'll be dead by 2030" and "i'm literally the hottest woman alive, i already killed god, i created the big bang, i can literally fuck spacetime so hard that the gravity waves will hit andromeda"

The best superhero is Swamp Thing because sometimes Swamp Thing wanders around a planet a galaxy away as he has an existential debate with a copy of himself he made out of azure soil and sometimes Swamp Thing fights dracula at a gas station

some of Werner Herzog's advice for filmmakers from his Heart of Glass post-screening Q&A: "Look out - where are the enemies, spot the enemies." "Form gangs, form rogue cells, form it, and go out and do it." and the storyboard is "the instrument of the coward."

Werner Herzog holding a mic standing up on stage in a collared shirt tucked into his pants, a belt, some kind of sage green/clay colored shirt or jacket over itHerzog in same fit, sitting in his little chair on stage