Sarah Pozderac-Chenevey

@sarahpcphd.bsky.social

Ludomusicologist, mom, musician, editor, photographer, baker of goods, eater of foods, pro-bono appliance repair person

I met so many amazing, wonderful, brilliant, and kind people at Save the Games 2026 hosted by @borman.bsky.social and I would love to keep in touch! Chris made this spreadsheet and would love for you to share whatever contact info you feel comfortable with!

Ghaleon Unlimited (Chris Hatala)@ghaleonunlimited.bsky.social · 3w ago

Also @sarahpcphd.bsky.social please enter your contact info / interests when you can and share w attendees ! docs.google.com/spreadsheets...

Saw a great talk on museum collecting of video games and there's a survey for Alysha's PhD research you all can take as gamers, fans, curators, researchers, game developers, and practitioners. She said she's looking for more North American respondents! researchsurveys.deakin.edu.au/jfe/form/SV_...

Qualtrics Survey | Qualtrics Experience Management

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researchsurveys.deakin.edu.au

When I think about the stupid mistakes LLMs make with words sometimes, (cf. the strawberry problem, fabricating quotations, or mixing up terms etc.), there's a well-known Old English riddle that comes to mind. It's more than 1,000 years old but I think it has something to tell us about AI... 🧵

With Tom Lehrer's passing, I suppose this is a moment to share the story of the prank he played on the National Security Agency, and how it went undiscovered for nearly 60 years.

I wrote something new for History Respawned today. It's a review of a new book about Red Dead, but it's really about academic writing and historical game studies as a field. Please read, but also know, I really really really really REALLY didn't want to write this review.

Reviewer 2's Review of Red Dead's History — History Respawned

I promised myself I would never write a negative book review. I promised my PhD advisor I would never write a negative book review. I promised I would always find a silver lining in any piece of aca...

historyrespawned.com

I’m going to belatedly chime in here (thank you, @bardicknowledge.bsky.social for tagging me in!) and add a few things. In general, I agree with both of these threads, and largely what I want to add are questions

Ryan Thompson@bardicknowledge.bsky.social · last yr.

This is a good thread. I'm one of two people in my immediate academic orbit (the other is @sarahpcphd.bsky.social) fully qualified to address this from every angle, and I agree with a solid 90% of David's thoughts. Two things he doesn't cover (but likely has thoughts on) below.

A version of the Orpheus myth where the audience knows that Hades is lying about whether Orpheus can take her back. She was always going to fade into smoke before she crossed the threshold. It is a small comfort, rather than a great tragedy, that Orpheus at least looks back.

In general, "career breaks" are poorly defined where academia is concerned; not all career breaks are health- or family-related. For humanists, working outside academia usually does not involve having ample time and resources for research and thus should absolutely be considered a "career break".

When Dave Ramsey is calling people idiots for spending money on childcare, it's because, in his mind, the right and proper way to get child care is to rely on the unpaid labor of women. The unsaid part of "why are you paying that much for child care" is "there's a woman who should do it for free."

Symphonies and operas (and performances of them) were traditionally fully paid for by aristocrats as a way for them to flex their wealth and cultural power—orchestras as we know them were never designed to fund themselves

Musicology Duck@musicologyduck.bsky.social · 3y ago

i do think it is worth a reminder that a lot of art is inherently expensive (like getting a few hundred people to produce a symphony or opera) and will never work super well in a capitalist model even if people do pay up for tickets or recordings

Having family stay for the holidays is like watching players test the game you designed. They are using the space in such interesting ways. They are getting a mug to drink water from even though we have a cabinet full of glasses. I guess the visual language wasn’t clear enough there and that’s on me

Medieval manuscript catalogs have their own arcane language & it varies. There are some nice guides to how to read them, but I think my students will also benefit from infographics. So in the lead-up to the semester, here ate a couple I'll share here. Hope people find them useful!

This shows a photo of a catalogue entry, which I annotated with arrows pointing to each element and then defining it. What I’ll do here is write out each part of the catalogue entry and then the words “this means” in the place of where I drew an arrow. 
178 this means the number of the manuscript as it appears in the catalogue.
Add 4086 this means the shelfmark.
see also Pl lix this means plate, an image (usually in color) elsewhere in the catalogue
Horae this means the contents of title of the text in the manuscript, in this case a book of hours
use of sarum this means “use” which refers to the rites as practiced in a certain region, here Salisbury (Sarum is Latin)
England, London this means place where the manuscript was made
The letter S this means century, from the Latin for saeculum
xiv 4/4 this means the fourteenth century and the fourth quarter of it, so the whole thing means the manuscript was made in the fourth quarter of the 14th century 
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One of my longest-held, unrealized concepts for a musical work is a 're-make' of "Pagliacci" in which the characters are in a metal band - first, I thought they should play power metal (a fun aesthetic), but now I think they should play Black Metal (allows a corpse paint aria)

The biggest enabler for creativity is stability. I wish that was made more central to the creative narrative. Figure out what your specific needs are to limit stressors and enable "boring" time and work to achieve that as hard as you're practicing your art.