Bwgan Buzz

@bwganbuzz.bsky.social

Genderfluid. 🏳️‍🌈🏳️‍⚧️ Based in London. Arsenal fan

Here's a new one - a regressive guide for the owners of restaurants. Are you tired of small profit margins and paying workers a living wage and fighting off unionization? Would you like to buddy-up with the ultra-rich MAGAs? Have we got the guide for you?

Go Portland Go paid ad:
The voter guide for restaurant owners (and other small businesses). Paid for by Go Portland Go! misc. committee #24993

Giving echoes of the British media's pile-on of Jason Arday, African writers are noticing how the BBC (which didn't cover the original announcement of this year's award) is now covering the AI "scandal".

Bild

Musk upset about data centres getting destroyed in Russia. Means drop in bots does impact him and therefore more people quitting twitter is something that would impact him negatively

i'm credited with discovering the first ever rootkit in an IM worm infection, used to power a large botnet, way back in 2005. i know my way around a worm and how they spread. please allow me to repeatedly slam my head in an oven door

FT Edit@ftedit.ft.com · 20h ago

“We’re seeing signs of life for AI worms,” Anthropic has warned. And these rogue AI agents may soon hijack our homes — spreading like "digital slime mold" through the smart devices we’ve come to rely on. Read the story on #FTEdit 👉 ft.trib.al/91QGknv Take today's poll 🗳️ ft.trib.al/CqtTTdK

Same for overt misogyny and transphobia People still there tell themselves they're just made of sterner stuff than we who left are, but it's actually not healthy to live in neverending thunderdome with fascists, it will grind you down

Wagatwe Wanjuki@wagatwe.bsky.social · 2d ago

leaving Twitter immediately improved my mental health because my exposure to racism dropped dramatically. I shudder to think how much the minds of the people who mainly stay there are cooked.

Those constantly critical of Broken Frontier's zero tolerance to AI slop stance are, of course, more than welcome to submit their work to any of the other countless review sites out there. Oh, wait...

any headline that starts "AI COMPANY SAYS" or any variation thereupon is just marketing. the sole purpose of them saying this shit to the press is to advertise their chatbot as being the best most powerful cool robot there is. stop taking the bait dick heads.

Simba Kundizeza's statement on his Caine Prize-winning story "The Blue Fighter" is also worth reading—keep in mind, the evidence-free article slandering him was published in The Atlantic to a mass readership and his defense is a tweet to his eight hundred followers

Simba Kundizeza
@S_S_Kundizeza
Statement on The Atlantic article concerning “The Blue Fighter”

I would like to say at the outset that this statement is not in any way a proffer of an explanation or a defense against the allegations levelled against me in the article published by The Atlantic, because I don’t believe the article warrants either. I am however writing because of the level of public interest generated in its aftermath, and out of respect for the people who have supported and championed my writing, as well as my fellow shortlisted writers for the Caine Prize. I want to set the record straight.

For the avoidance of doubt, I wrote "The Blue Fighter." I did not use generative AI to write it. It is entirely my own work.

This story did not appear out of nowhere; it has a concrete, documented history. Its genesis was during my LOATAD Black Atlantic Residency in Ghana. While  there‚ I read a poem by vangile gantsho titled “my father's hands․” I was inspired by this poem to write a story about my family's experiences in Zimbabwe‚ including my father leaving his accounting profession and the hardships my family faced as a result․ Other aspects of the story‚ including characters and the setting‚ are drawn from events in my own life․There is also a clear chronology to the story's development. I sent the completed first draft of the story to vangile for feedback on May 15‚ 2025․ I then submitted the story to The Shallow Tales Review on May 27‚ 2025․ Fiction editor Nzube Nlebedim accepted the story on June 10‚ 2025‚ and it went through the standard editorial process. vangile then provided her feedback to me on June 25‚ 2025․ On the same day Nzube also provided editorial feedback to me․ In an email dated June 27‚ 2025‚ I sent the final draft and requested that the editor preserve the formatting of an epigraph in the story as originally submitted by vangile as a courtesy to her․ The story was published on June 30‚ 2025․

The Atlantic article seems to question the story's authorship by comparing its style to my other writing. As writers we develop recurring interests, but we don’t produce work from a single fixed template. My debut novel, “Freelance”, and the story titled "The Whistleblower" published in Transition Magazine in 2021 which is referenced by Ms. Vara, are thrillers dealing with political intrigue. "The Blue Fighter," however, is a deeply personal story about economic collapse and familial relationships. The voice shifts because the subject matter demands it. To suggest that a writer cannot write in different styles or genres, or improve his writing substantially after five or more years fundamentally misunderstands the craft of writing.The motive for my supposedly using AI to generate the story is equally difficult to understand. I was under no obligation to write “The Blue Fighter”. I was not commissioned to produce it, nor was I paid a fee for its publication. The decision to submit the piece for consideration for the Caine Prize was made by the editor of The Shallow Tales Review months after its publication. I therefore didn’t write the story with any guarantee that it would be submitted, let alone win anything. The idea that I would have somehow written the story with the express intention of entering and winning the Caine Prize, despite the inherently competitive and uncertain nature of the prize, conjures up a motive that simply did not exist.

"The Blue Fighter" is my work, and I stand by it completely. I'm grateful to vangile for her inspiration, to The Shallow Tales Review for giving the story a home, and to the Caine Prize judges for recognizing the work on its merits. I’m also heartened by the numerous messages of solidarity from fellow writers and readers, and to Adrienne Ingrum and Regina Brooks at Serendipity Literary Agency for their support throughout.
I look forward to continuing to work with the Caine Prize team, and to celebrating this recognition with the people who helped bring this story into the world.

Most importantly, I will continue to write.
Vajra Chandrasekera@vajra.me · 3d ago

Yeah. And if you don't care what Pangram says—it's just another AI company, and I don't care how good they are at hyping themselves—I also don't see what's so "AI" about this story at all. I don't think "trust me, it's bad" is meaningful (and that is quite literally what the article says.)

This type of unfounded accusation is becoming more and more common against writers of a certain background. If The Atlantic care so much about AI use, why don't they go after the writers who admit using it like James Frey or Olga Tokarczuk or Anthony Horowitz? It's plain double standards.

Vajra Chandrasekera@vajra.me · yesterday

Simba Kundizeza's statement on his Caine Prize-winning story "The Blue Fighter" is also worth reading—keep in mind, the evidence-free article slandering him was published in The Atlantic to a mass readership and his defense is a tweet to his eight hundred followers